When Were You a Poet?

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I have known a lot of people, male and female, who wrote poetry when they were young. It was a rite of passage into and out of adolescence.  Many did the same thing with journaling, diary entries, drawing and art making in general. And it was almost always about two things.  The creative urge to write and visualize at that age was about expressing feelings, emoting and self-discovery.  But as time passed many figured things out, the angst lessened and the need to express in that way diminished.

Or at least they thought it did. But the truth is many stopped creating and regretted it. It may have taken a while but at some point they realized they had let something important go. It may have been they needed to rediscover themselves and they once again felt the urge to express that.  But they could also have matured and realized creative endeavors aren’t just about letting the world know how you feel. Sometimes it’s a way to understand how the rest of the world feels. Sometimes it’s a way to make sense of a world by returning to something fundamental in themselves.

If you are twenty, I encourage you to keep writing, keep creating.  This will require you grow beyond your own expression of self and start using your creative force to imagine and understand other worlds.  If you are 40 and stopped your creativity years ago, I encourage you to start that stagnant engine again. It might require some hard work, but it will be worth it.


Drawing and commentary © 2017 Marty Coleman | napkindad.com

“To be a poet at age twenty is to be twenty. To be a poet at age forty is to be a poet.” – Eugene Delacroix


My Creative Way

creativity2-2016_sm

This is how I create.  I find something and I do something with it. It might be a napkin, a quote, an object, a person, or a combination of all of them.  But whatever or whoever it is, I will transform it.  I will combine, destroy, build, repurpose, take apart, hide, reveal and more. It’s what makes art fun and interesting for me. It’s how I think about things and people I see. I think about what I can do with them visually to say something of interest to me and others.

Here are some of the things I have transformed over the years. There are more, most of which you can see at the same flickr.com site that these links go to.

Rejection letters – a series I did in response to hundreds of rejection letters I got while applying for full-time teaching positions in the 80s and 90s.

Now You Know


Faces – A recent series I am doing on my iPad using my fingers (in most cases) to paint portraits based on photos and/or screenshots.

Digital Portrait #24


Mannequins and Games – Three Dimensional artwork that started with plastic or modeled mannequin heads that I turned into light boxes.  Also a foosball table I turned into a self-portrait.

Woman with Hands Reaching - on


Bible – Drawings done in the bible I used from the mid-90s until about 2000 or so.
A Woman Thinking Things


Book – I started with the book titled ‘Of Human Bondage’ and collaged into various pages photographs of the body in bondage.

Teeth in Bondage 2


Famous artwork – I started with a book on Impressionism and glued onto the images photos of body impressions.

Impressionist Composition 6


Drawing, commentary and all artwork © 2016 Marty Coleman | napkindad.com

Quote by James Russell Lowell, 1819-1891, American poet


 

Creativity – Theory and Practice

theoryandpractice1-2016_sm

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Theory

I have a theory that if you are an artist, you are an artist whether you create art or not. This is because what counts is that you have an artistic mind.

Practice

In practice no one will ever call you an artist unless you actually create art. This is because without the creation of art, the artistic mind atrophies and dies.

Works

My favorite passage in the New Testament of the Christian Bible is this passage in the book of James:

‘So too, faith by itself, if it does not have works, is dead. But someone will say, “You have faith and I have works.” Show me your faith apart from your works, and I will show you my faith by my works.’ James 2:17-18

What do you want to be?

You become what you practice.  Practice art, you become an artist. Practice running, you become a runner. Practice love, you become a lover.  It doesn’t matter what it is, if you want to become something practice is the only way to become it.


Drawing and commentary © 2016 Marty Coleman | napkindad.com

Quote by Yogi Berra, 1925 – 2015, American Baseball Player


 

Life is a Quarry

quarry 1

Who’s Afraid?

I watched a TV segment about Edward Albee recently. He is the Pulitzer Prize winning playright whose most famous work is ‘Who’s Afraid of Virginia Woolf’.  The interviewer was asking him if he considered that the subject matter would be offensive to some.  His response was, yes he knew it might be but that the play was telling him what needed to be in it, not people who may or may not be offended by it.  

Art Creating Itself

That is how it is with me as well. My imagination starts somewhere and then once I put pen to paper the images tells me where to go and what to do. It tells me what it wants to be.  The more I listen to that the better the work. The more I listen to a possible future offended person the more I will create something self-censored, something that looks like someone else’s work, not my own.  

That is why I often draw nudes. The content and message in the depiction of a nude says something I want to say.  Clothing the person would take that element of the idea away and if I bow to that pressure I am diminishing my power as an artist to create something expressive and valuable.  If someone is offended or interprets the work in ways I don’t anticipate that is ok, I even like hearing about that and learning from it.  But I can’t try to extrapolate what that might be in advance just to save someone somewhere a possible hard thought or offensive reaction.

You Creating Yourself

So it is with creating your whole self as well as a work of art.  Chisel and hammer out who you want to be, not who you would be if you offended no one.  Because if you turn yourself into who someone else wants you to be, you become hard to know, admire and love.  The world ends up seeing a watered down you, diluted with someone else’s ideas of who you should be instead of the full flavored you.  And you’ll end up offending someone anyway.

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Drawing and Commentary by Marty Coleman, who is who he is.

Quote by Johann Wolfgang Von Goethe, 1749-1832, German playright and poet, among other things.

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Trivia Question from yesterday answered

Question: Which U.S. President sewed his own clothes as well as some of his wife’s?  

Answer: Andrew Johnson.  The 17th President was trained and employed as a tailor early in his life and never gave up the practice.

 

Who Teaches Creativity?

creativity 2

Creativity Within

I come across a lot of people who, when I say I am an artist, say in response, ‘Oh, I am SO not creative.’  My usual response is ‘You are probably more creative than you realize.’  But in truth often times I am thinking, ‘Yea, that is probably true.’  Why would I think that?  Because anyone who says they aren’t creative obviously thinks they aren’t. And guess what?  Those who say they aren’t something very seldom become it.  

The Grand Mystery Illusion

The other reason people say it is because it is they think it is something you are born with, something ingrained, mysterious.  Not something you can learn. But that is not true, you can learn how to be creative.  You just can’t learn it from someone else very easily.  You have to learn it and practice it with yourself.  So, if that is the case, how can you become creative when you aren’t creative enough to teach yourself.

Talking to Yourself

The key is in talking to yourself.  The talk is not of the ‘do this, do that’ variety.  it is of the ‘hmmm, I wonder what would happen if’ variety. It is the voice of fearlessness, the voice of curiosity and the voice of joy. If you are willing to talk to yourself, encouraging yourself to try something, something a bit off the wall perhaps, you have a way to bridge that gap.

But, this is a case where you really do need to take your own advice and say, ‘OK, I’ll try it.’

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Drawing by Marty Coleman.  It is the second drawn interpretation of this quote.  You can see the first drawing, from 2009, here.

Quote by Arthur Koestler

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Connecting the Dots – Creativity #2

I like this quote – it’s about art, it’s funny and it rhymes – what more can I ask?

Creativity is so much about freedom.  Letting the dot in your head take it’s walk where it wants to go and not stopping it.  Are you able to do that? What stop signs do you have?I tried something a bit different today.  I drew the line drawing on the napkin but then did the color work in the computer, just for fun and a change.




Drawing by Marty Coleman of The Napkin Dad Daily

Quote by Paul Klee, 1879-1940, Swiss/German artist.
“Young Girl” by Paul Klee – Lithograph, 1939.

 


Hunch – Creativity #1

Hunch mug
Hunch a coffee mug by NapkinDad

Are you ignoring Ms. Creativity?  She doesn’t like to be ignored.  She dresses to get noticed and if you don’t pay attention she will secretly push hunches on you all day until you do.  So, PAY ATTENTION, she is trying to tell you something!



Drawing and commentary by Marty Coleman of The Napkin Dad Daily

Quote by Frank Capra, 1897-1991, American film director

Among his films are: 
  • It’s a Wonderful Life
  • Meet John Doe
  • Mr. Smith Goes To Washington
  • It Happened One Night
  • You Can’t Take it With You
  • Mr. Deeds Goes to Town
  • Arsenic and Old Lace
He also produced and directed the 7 part movie series, ‘Why We Fight’ during World War II.

Creativity is a Learning Process

Creativity is a Learning

If you aren’t willing to teach yourself then you are at the mercy of what other people
want to teach you, what they think is important. If you teach yourself you are in
charge.

Take charge. Be your own student and your own teacher. That way you will always be
getting a new degree!

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