by Marty Coleman | Jan 8, 2017 | Marty Coleman, Photographic Sunday |
Street Photography
One of my favorite things to do when I go on vacation is street photography, meaning not photos of streets, but photos of the action on the street. It really means action most anywhere; in stores, at famous monuments, etc. The only defining factor is that it is spontaneous and, for the most part, not posed.
In the early summer of 2015 my wife Linda, daughter Caitlin, and I went to London and Paris. These are a selection of the photos I took on the streets of these two amazing cities. Each photo I think captures an essence of the moment in a way that staged photos can’t. After each photo I have given some ideas of what I was looking for and what you can also look for when you do street photography.
THE MOMENT
Selfie Kiss at Versailles – © Marty Coleman 2017
The main thing about street photography is you have to be ready. No fumbling, no settings, no focusing even. You have to get that shot as if it’s a breaking news story, right now right there. In this case I had already noticed her bright red (and long) fingernails so I was attuned to her.
I also knew there was a rare empty space not filled with people behind her and watched for a moment to see if something interesting might compose itself. And when she raised her arm I knew what was coming and raised my camera.
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BE STIMULATED
Stripes – © Marty Coleman 2017
Street photography is about visual stimulation. Your eye drives the process and you have to respond quickly. The decision-making has to be immediate or the moment has passed. In this case I already had my finger on the shutter button as I happened to see this woman with the bold striped dress coming towards me. I didn’t think about it I just pushed the button.
The other thing about street photography is the fun of not really knowing what you captured. The stripes were interesting, yes. But getting the other striped shirt and the person walking right between them was fun to discover later and it’s what makes the photograph as a whole visually stimulating to me.
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LOOK FOR CONTRASTS
Standing Nudes, Sitting People – © Marty Coleman 2017
Juxtaposition is a key element in the commentary in much street photography. The interaction between people, objects, environment, and light add to the visual conversation.
In this case the verticality and solidity of the sculptures played off the very slack and loose poses of the sitters. I loved the humorous juxtaposition of their poses and of the nudity vs clothing so I pushed the button. If you notice, the camera is not up at my eye level. I had it around my neck hanging to my stomach and took the photo from there. I could have chosen to raise it up, it wouldn’t have bothered me to be seen taking the photo, but having the sitters be midway between the sculptures was key to the composition and feeling of the image so I kept the camera at waist level.
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THERE ARE ANGLES AMONG US
Bride and Locks – © Marty Coleman 2017
Doing street photography means you are always looking for great angles. Sometimes that means you have to imagine what something would look like from a different angle from the one you are at. Keeping the camera at your face and thinking that is the only image available limits your choices considerably.
In this case there was no doubt I was going to take a photo of this bride on the bridge full of locks. The question was what angle would best tell the story? There was way to much clutter in the image when I was standing up so I squatted down very low and put the camera even lower, almost to the ground, to get the shot. This is one of the reasons an articulating screen at the back of the camera is essential to street photography, so you can see very low or very high.
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WHERE TO POINT
Two Sisters and a Ceiling – © Marty Coleman 2017
Not only is what height your camera is at something to consider, but where it is pointing as well. To limit yourself to only pointing forward or slightly up or down means once again you are limiting yourself and the possible images you can get.
Here I, along with thousands of others, were looking up at the ceilings in Versailles. But what I saw wasn’t just the ceilings but everyone else taking photos of those same ceilings. I angled my camera from my waist directly up to catch that phenomenon. In this photo I was walking quickly and just barely caught these two women out of the corner of my eye. I turned, snapped and moved on. I didn’t know what the image looked like until well after we were done with the tour and on the way back to Paris on the train.
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BE READY FOR THE UNEXPECTED
Bride and Groom at Notre Dame – © Marty Coleman 2017
In street photography something unexpected is always just around the corner. The best shots aren’t always going to be in main areas of tourism or activity. They more likely will happen as you are walking to or from those areas. Having your camera on and ready (and with the lens cap off!) is critical. I can’t tell you how many photos I have missed in my life because of one of these reasons.
Having your camera set to multiple photos at one time is also key. In this case, I saw the bride and groom walking down the street and kept my finger on the button until just the right time and then held it down. I got about 3-4 shots and was able to choose the best one from the bunch as a result.
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ANTICIPATE THE ANTICIPATION
Place to Kiss – © Marty Coleman 2017
When we walk around a city we see the fluidity of time and motion. As a result we often don’t see examples of anticipation. But the still photograph from the street can often capture just that right moment.
Here these two people were drinking and talking and flirting, all the while seeming to hem and haw about the funny sign right next to them. I got the feeling they wanted to kiss but weren’t sure how to go about it, especially when there was a sign directing them to do so!
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MOTION IS YOUR FRIEND
Four Portraits at the Musée d’Orsay – © Marty Coleman 2017
When you do street photography you are going to get motion. And motion means blur. This is not a bad thing. Blur is a tool of expression. It expresses movement, action, direction, energy. Don’t reject an image because of it but instead evaluate how the blur may help the image.
There is usually no more static place in the world than a museum. But people walk around them all the time and that means movement. Here I was able to capture a bit of both the action and the static at the same time. I had a number of other shots from right around this same moment, but this was by far the best because the blur of the woman in the stripes on the far left balanced out the strong and isolated image of the nude by Renoir on the right.
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ISOLATE TO COMMUNICATE
The Singer and the Thames – © Marty Coleman 2017
Isolation is another important element in street photography. Isolation means visual power and weight and it can be used to tell a story.
On the banks of the Thames in London I was watching the hundreds of people go by before I went in to see the Tate Modern Museum. This singer with his small speaker and music machine was entertaining the crowd. But all I saw was him alone next to this giant river. I set myself up to capture an image that showed how I saw him in the midst of the crowd.
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STREET IS STYLE
The Fascinator – © Marty Coleman 2017
Style is everywhere on the street. Ignore it and you miss a million fantastic shots. Find it and you will have a never-ending well of ideas and opportunities.
While we were in London we took the train into a certain station to transfer. When we got off we started seeing an unexpected amount of men and women dressed to the nines. I mean they were really going all out. If it had been on a weekend night it would maybe make sense. But this was at 9am on a weekday morning. What was going on? I didn’t know, but I knew I was going to have my camera ready to go. This woman was walking by with panache and purpose and I immediately angled myself to make sure I got a photo as she passed.
Later we discovered it was the Queen’s Day at the races and everyone was going to the station to travel out to the track.
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TRUE EXPRESSIONS
The Woman at the Seine – © Marty Coleman 2017
In staged photos we most often will see a lot of people smiling. But staged smiling usually only says one thing. What is great in street photography is to find true expressions that aren’t staged. That are a result of a person’s true feelings coming out.
Here that feeling is sublime joy and happiness. It can be felt in much more than just the Mona Lisa smile she has. It’s in everything her face and body is doing. Always be ready for that moment where you are capturing true feelings because those are what will let people know as much about a place as any monument or building.
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THE COURAGE OF THE PERSONAL
Mannequin and Walker – © Marty Coleman 2017
Street photography can get very personal. People can see you take photos, some think it is a violation, others couldn’t care less and you don’t know who will react how. If you believe in capturing the life of the street you have to be bold and courageous to do so. Sometimes that means you have the opportunity to ask permission but other times you do not.
I was walking near our Airbnb apartment in Paris early one morning, on my way to the cafe where I had been drawing each morning when I saw this scene. I was focused on the mannequin in the window with the sunrise reflecting off the building when this woman walked by. She had been looking down at her phone but looked up right as a took the shot. She was past me in a second and that was that. I don’t know what her emotions were about seeing me as I was taking pictures and I am not assuming I know. But I had to have the courage to take the photo without knowing that.
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SHOW WHAT IS SEEN
Seeing Versailles – © Marty Coleman 2017
Bold graphic elements are everywhere in street photography. Windows, doors, people can all be seen not as what they are but as formal devices to frame or direct an image compositionally. This is especially true if you are going to shoot in Black and White or are thinking in terms of BW when you later work on the image.
I didn’t see an image of Versailles here. I saw an image of how Versailles is to be seen. Finding a set of elements composed so they show a third person’s view is something for which you should always be on the look out. It tells a story much more effectively than just a photo of a place.
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LINES OF MYSTERY
Escalation – © Marty Coleman 2017
Lines direct one’s vision. Finding those lines and using them to create mystery or wonder is one of the joys of street photography.
We were headed down into the London Tube and I was standing behind this elegantly styled woman. All I could see were all these lines converging behind her and really wanted to capture that. Once again I simply took the photo from where the camera was hanging around my neck. Being low created a giant black shape in the middle of the image. We know it is her but visually it’s a void, allowing one to imagine what is behind even more than imagining her.
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THE GEOMETRY OF HUMANITY
The Poser in Paris – © Marty Coleman 2017
People are always posing for something. Street photography allows you to capture when people are posing, not for you, but for someone else.
We took a walk along the banks of the Seine and what caught my eye first was the profound geometry everywhere. The lines were formal and abstract and I was trying to find just the right combination of elements when I saw this woman posing for a caricaturist. She leant just the right amount of warmth and humanity to the otherwise severe composition so I took a number of photos. This one, with her gaze going completely off camera, was the one that really expressed how I saw Paris at that moment.
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TO FINISH UP
So, there you have it. A little tour of London and Paris. It’s probably a lot different from what you would find among tourist photos. But maybe these photos give you a different understanding of the two cities. One that is more about the mood and feeling of a place than a recitation of its monuments and objects. That is what street photography can do for you and your appreciation for a place. It is also what it can do for others who see the photos, giving them an idea of what it’s like to be in and around a city, to feel they know a place at a more intimate level.
Give street photography a try, you won’t regret. And by all means let me know how it goes and let me see some of your photos!
Marty
Each of these photos is for sale. Price is $50.00 plus shipping. Please contact me at marty@napkindad.com if you are interested. Give me the name of the piece and we can go from there! I can receive payment and ship internationally.
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by Marty Coleman | Jan 7, 2017 | Success - 2017, Thomas N. Carruther |
Who do you think you are?
Why do I ask this? Because you won’t ever become someone you don’t think you are. Don’t think you are an artist? You won’t become one. Don’t think you are able to start or run a business? You won’t start or run one.
Transformation
So, how do you become something you are not? To answer that question you have to answer this one first, ‘how do you come to believe you can be that person?’ My first wife, Kathy, was never very confident about herself and her abilities. But by the time we had our three daughters and they were in or reaching school age, Kathy had received her teaching credential and had taught for a few years. She also had been around a number of families at our church who home schooled their kids for a number of years. The combination of the two experiences plus her own comfort with our children led her to believe she could home school our daughters, which we did for 3 years.
In other words, she had faith that she could get it done. She gained that faith by education, observation, and experience. I think those three elements are the keys to achieving your great goal.
- Education – In most, but not all, cases, learning is key to giving yourself the confidence that you can do or be something. It might be formal training or it might be you self-teaching online, but learning more and more about the area you want to explore always helps, if not for you, for those who you must persuade to trust you in a future endeavor.
- Observation – When you look around you, you can see things being achieved. How is that happening? What skills, behaviors, attitudes and connections to these achievers have? Being aware of what others have needed to succeed will help you do the same. While in much of life it is not good to compare yourself to others, it is good in other ways. This is one of them. Now, you may find that the comparison is unflattering to you. BUT then again, you might find it is favorable, or maybe it is irrelevant. The point is, do not be afraid to evaluate how you stack up to others in this endeavor. Self-criticism and self-knowledge of where you stand is essential to moving forward.
- Experience – Sometimes when we look at biographies of achievers it seems this step is skipped. For example, Cheryl Strayed walked the Pacific Coast Trail and wrote about it in her memoir ‘Wild’. She had ZERO experience hiking but she did it, right? Nope. She actually only did one day without experience. The second day she had the experience of the first day under her belt. Yes, to truly do it right she should have had a lot more experience, but to say she had none for the journey is to ignore what you learn along the way. So, yes it is possible to start with no experience. But it is impossible to get half way with none and certainly impossible to finish with none. The key is to be aware of the experience as it happens, to learn from it so you can immediately apply it, sometimes within minutes or hours of starting on a task.
These three things are what you need to become who you want to become and to do what you want to do.
So, start gathering them up and go for it!
Drawing and commentary © 2017 Marty Coleman | napkindad.com
“Faith that the thing can be done is essential to any great achievement.” Quote by Thomas N. Carruther.
This original drawing or a print are available for purchase. Matte and frame are also available.
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by Marty Coleman | Jan 1, 2017 | Be It Resolved - 2012 |
And be specific and be quantifiable and be actionable and be realistic and be something you actually want to do!
Drawing and commentary © 2017 Marty Coleman | napkindad.com
Quote by Charles M. Sheldon, 1857-1946, American Congregationalist Preacher and leader of the Social Gospel movement.
“Good resolutions are like babies crying in church. They should be carried out immediately.”
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by Marty Coleman | Dec 24, 2016 | Christmas, Hamilton Wright Mabie |
Buying
I like Commercialism because I like presents. I like buying presents for my family and loved ones. I like sending them, bringing, them, opening them, sharing them. I like thinking about what to get and I like discovering cool things to get while I am going to get what I planned to get.
Making
I like making presents too. But if I don’t make them that is ok. I like buying presents other people made and giving them. I like buying manufactured presents as well, since they are made by people too.
Wrapping
I like wrapping presents so they look nice under the tree and in the lap of the person who is about to open it. I like the look on their face when they see something they weren’t expecting but are happy to get. I think it is funny to look at that same face when they get something they weren’t expecting and aren’t happy to get but are faking it.
Getting
I like getting presents. I like seeing what people thought I would like. I like trying on new clothes and sweaters and stuff to see if they fit and then showing them to the rest of the family. I like when my family does that as well. I like the funny items I get that are completely useless and would never be bought but for Christmas. I like how completely ridiculous they are, and how funny.
Revolving
I think gift giving is love and if we focus most of that in one season, it’s fine by me. If that means much of the economic world revolves around that season, that is fine by me too. It’s going to revolve around something and gift giving is as good a thing as anything else in my book.
Loving
It’s easy to say ‘I hate the commercialism of Christmas’. But do you hate the gift giving of Christmas? If you don’t hate the gift giving than maybe it’s time to see the commercialism in a new light. The light of your love for those you give gifts to. I like to think of it like that.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Hamilton Wright Mabie, 1846-1916, American Essayist and Lecturer
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by Marty Coleman | Dec 14, 2016 | Marty Coleman, The Universe- 2016/17 |
Purchase the original drawing | purchase a print | available framed!
The Immature Purpose
The immature among us like to divide things into extreme categories.
A simplistic religious person wants to see anyone who doesn’t believe in a personal God as having no purpose. They want to feel sorry for them because it meets their need to feel enlightened and special. They have a purpose from God and these other people don’t.
A simplistic non-religious on the other hand wants to see a religious person as living under an illusion of purpose. They want to feel sorry for them because it meets their need to feel intellectually superior. Their existence and happiness is enough of a purpose and those other people are woefully deluded.
The Mature Purpose
The mature among us are willing to admit that the complexity of life doesn’t lend itself to dividing things up so neatly.
A complex religious person will admit that while they believe they have a purpose directed from God there are many times they don’t know that purpose. They also will admit that that purpose is constantly evolving as they grow. It might be growth in terms of age and experience or perhaps growth in their spiritual relationship with God. They will also admit that not knowing their purpose in life at every single moment is not critical to their success in life. There are great mysteries they admit to and are willing to live with that. They also will learn that to judge others’ journey of finding purpose (or not) is not one of their purposes in life.
A complex non-religious person will admit that while they are often satisfied with their purpose simply being to exist and be happy, there are other times they doubt and wonder about that, and are sometimes drawn to see if their might be more than that. They will also admit that they sometimes admire the surety with which a religious person feels their purpose so strongly. They will realize that just as they are on their journey of finding purpose (or not) so others are as well and it’s not their purpose in life to judge other people’s journeys.
Where are you in your search for purpose (or not)?
Drawing, quote and commentary © 2016 Marty Coleman | napkindad.com
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by Marty Coleman | Dec 7, 2016 | Friendship - 2015 |
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The Napkin Kin
I do a lot of live streaming video. I have a regular group that views and contributes. They are called the Napkin Kin. New people come in every day as well. Many of them become part of the group. But there is a particular brand of person who comes in to the broadcasts who never become part of the group. Who are they? They are the ones who demand I connect with them immediately. They tell me to follow them on Instagram and on Snapchat and on Facebook and on whatever other social media site they can think of. The insistently demand I go take a look at their portfolio or pictures or stories and get back to them. They also might be the type who wants to know my opinion on something like the recent election.
Self, Self, Self
I am immediately put off by these people. I will be nice to them but if they continue I call them out.
I speak directly to them and say, “You haven’t taken one second to get to know me or the others in this broadcast. You haven’t contributed to the conversation. You haven’t asked questions or listened to what is being said. You have no idea who we are or what we are about and yet you want me, and the rest of the group, to immediately drop what we are doing and go look at your sites. You want us to be your friend and yet you haven’t done anything to warrant us wanting to be that for you. Let’s start over. You come in again and pay attention. Find out what is going on in this broadcast, introduce yourself, and in general get to know us. Then, as that is happening, we will naturally get to know you as well. It won’t take long since we are a friendly and curious bunch.”
And that little speech actually works sometimes.
Mutual, I’m Sure
And isn’t that true in our in-person lives as well? I certainly am wary of someone who befriends me just for the purpose of getting something from me or wanting some attention from me. But, as just happened this morning while I was writing this, if someone I already know comes to me requesting a favor or asking a question, I am enthusiastic about helping them out. I am not talking about helping a stranger. I am talking about investing in someone who is obviously only pursuing the friendship for their own gain.
Building mutual care and concern is how friendships grow, not by sucking a virtual stranger’s attention for selfish ends.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Ethel Barrymore, 1879-1959, American Actress
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by Marty Coleman | Dec 4, 2016 | Marty Coleman, Sketchbook History Tour |
The Poem About My Senses
I have a poem in my head,
Not fancy or complete.
Actually pretty basic,
mundane but pretty sweet.
Don’t know what it’s all about,
That’s the point of it I think.
But I know It’s sort of funny,
And includes the color pink.
It includes the smell of coffee,
And maybe the passage of time.
I don’t really remember,
But it’s simple in it’s rhyme.
It has an image of windows,
With sun filtering the air.
That flows all around me,
And lands on my hair.
There is a taste of a croissant,
Somewhere in the verse.
And the texture of an almond,
as it falls into my purse.
That’s all I remember,
Of the poem within my head.
It makes me glad to to be alive,
Instead of being dead.
Drawing and poem © 2016 Marty Coleman | napkindad.com
This drawing was done at the Glenpool, Oklahoma Starbucks.
It is available for purchase, either the original for $100.00, or a print for $25.00
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by Marty Coleman | Dec 2, 2016 | Friendship - 2015, Marty Coleman |
Purchase the original drawing | purchase a print | matte and frame available.
The Other Thing I Did
While I was drawing on napkins for my daughters back in the 90s I also was doing something else. I was saying goodbye to them at the door. Each day I would say pretty much the same thing. I would say I love you then I would say “Don’t forget, Make good friends and keep good friends.” Why I came up with that particular phrase, I don’t know. But I would say it every day. And I meant it.
Community
What I wanted for them was a growing, vibrant community. A community doesn’t happen without friendships, a growing community doesn’t happen without new friendships and a vibrant community doesn’t happen without diverse friends. That is why I said that to them.
The Purpose of Diversity
When I say diverse, I don’t mean you have to have a rainbow of skin colors to prove it. I think that would help but only insofar as it’s an outward visual of what is an internal diversity. In other words, the important thing isn’t that your friend has dark brown, red, orange, alabaster or freckled skin. What is important is that you are experiencing, at least some of the time, a person with a life experience different than yours. A life experience you can learn and grow from knowing AND that your friend can benefit from by knowing you.
Courage Over Fear
How do you gather such friends? Yes, by going out into the world. But that isn’t enough. You have to go out into the world with courage and an open heart or else you will simply be carrying your fear around with you and will miss meeting those new friends.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Yours Truly
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by Marty Coleman | Nov 30, 2016 | Friendship - 2015, Jacque Dellile |
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Xenophobia
One of the reasons people are xenophobic (fear of foreigners, people of other cultures) is because they only have friends who are exactly like them. Maybe they are the same color, maybe the same economic status, maybe from the same town or city, maybe the same religion, maybe the same age or the same gender. They may look a little different on the outside, one is bald, one like bright clothes, etc. But in truth, their friends are actually just themselves in other bodies. People who are outside this homogenous group are the ‘other’ and since you don’t know them and they seem so different, they are feared. This can easily be the case with the refugee or immigrant, the person from the north side of the city, the person who speaks another language, the retiree, the person from another religion.
Periscope
The question is, how do you get to be friends with those people? Astonishingly, one of the best ways is online. You can find everyone online, and if you join groups, chances are the group will have all sorts of people. Get to know them.
One of my favorite things about doing live streaming on Periscope app is I never know who is going to come into my broadcast. Sometimes it’s a dreadlocked African-American from Chicago, next moment it’s a Putin-loving person from Russia. Then in comes an Australian housewife living in Germany, a Latina actress from LA, a stay at home dad from St. Louis, a single mom from Paris with a bi-racial son, a teenager from Spain, a hardworking artist from Philadelphia, a famous blogger from the UK, an intellectual from Hawaii, a Native American from Oklahoma. They may be online, but they are all my friends and I get to know them and do my best to understand them.
Of course that is not the only way to know people different than you are. Joining an interest group in your town might be a way to do that. Volunteering for a cause could work as well. There are many ways, but it takes a decided effort in many cases to make it happen.
Knowing
The point is, we live in a diverse world. It’s more interesting and fun to embrace it. It is healthier to embrace it as well. Because when you have friends who really ARE different than you, then you will come to see them as multi-faceted people, just like you are. And that in turn will allow you to think about all other religions, races, ages, genders, orientations, etc. with the sensitivity that comes from seeing them as real people, just like your friends.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Jacque Delille, 1738-1813, French writer and poet
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by Marty Coleman | Nov 26, 2016 | Friendship - 2015, Illustrated Short Stories, Marty Coleman |
The Blue Woman and the Red Bird
One day the blue woman was walking to the edge of the volcano so she could jump in and kill herself. On the way she came across a red bird standing on a dead branch near the trail she was on. The red bird started talking to the blue woman and what she said made her cry. They weren’t tears of sadness but tears of joy because what the red bird said was that she was lonely being the only red bird in the area and wanted someone to talk to who would understand her. She saw the blue woman walking by and since she had never seen a blue woman before she figured she had to feel pretty lonely as well. She was right. The blue woman felt very lonely. But thanks to the red bird noticing her and saying something she didn’t feel that way anymore. The red bird and the blue woman became great friends and accompanied each other everywhere together until the end of their days. And they were never lonely again.
The End
Drawing and story © 2016 Marty Coleman | napkindad.com
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by Marty Coleman | Nov 24, 2016 | Thanksgiving, W. T. Purkiser |
Sharing Your Blessings
I hear ‘I am so blessed’ often here in the bible belt. I say it myself sometimes. I say it to others when I hear them talk of something good happening. But until I read this quote I had never put blessing and thanksgiving together like this.
Of course at Thanksgiving you bless the meal. But do we think about how each person’s individual blessing has contributed to the meal? Did we consider Uncle Bob’s amazing ability to impart joy to the kids by playing with them is his blessing he is sharing? What about sister Eleanor who has spent a lifetime cooking the best damn pecan pie in the world? She didn’t hide her abilities, she shared them. And what about that young precocious son of your brother, who is funny and sharp as a knife with his wit? He probably doesn’t know it yet but he is sharing that which has been given to him.
Even more importantly, once we step away from the Thanksgiving meal, do we share our blessings with the wider world? I hope we do. Because the truth is if you really want to show your thankfulness for the blessings you have been given, whether by God, the universe, genetics, the capitalist system, wherever you believe they came from, then there is only one way to show it and that is to share it, right?
Lets share our blessings in love. Happy Thanksgiving!
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by W. T. Purkiser, 1910-1992, American Preacher
Purchase the original | purchase a print | matte and frame available
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by Marty Coleman | Nov 23, 2016 | Friendship - 2015, Mme de Staël, Talleyrand |
Purchase the original | purchase a print | matte and frame available
Being God
You know what is great? To have a friend who will fish you out of the water when you fall in. That is great. But what is not great is if they threw you in the water in the first place.
Have you ever had a friend like that? I call this the God Complex. They thrive when they are helping someone but to do so they need to get that person in danger first. So they set up a scenario where they nurture drama in a person’s life, maybe by encouraging them to date someone they know is not right for them, or maybe to take a job they are not suited for. It could be anything. All that matters is that they work it so they are able to come to the rescue and seem to be the hero or shero.
My Hero Fantasy
I have known one or two in my time. And even though the quote refers to a woman (Mme De Stael), I have noticed it just as much, if not more, in men. I think this might be because men grow up told it’s the highest accomplishment to be a hero. I remember in Jr. High I had my first and only hero fantasy. I imagined the bus I took to school getting in a crash and me coming to the rescue of Julie, the most beautiful girl in school (in my opinion). I helped her out of the bus and took care of her as she lay on the ground. As an adult I respond as best I can to circumstances where my help is needed. But I don’t ever want to desire or cause something bad to happen just so I can do good.
Here’s the point. It’s not wrong to be a hero or shero. It’s a good thing. But it’s not if you are manipulating people and situations so that you can be one. That’s a bad thing.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Charles Maurice de Talleyrand, 1754-1838 French diplomat and politician
The quote refers to Mme. De Staël (Anne-Louise-Germaine Necker, Baronne (baroness) de Staël-Holstein), 1766-1817, French-Swiss author and politician. She is definitely worth reading about!
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by Marty Coleman | Nov 18, 2016 | Friendship - 2015, Samuel Johnson |
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The New Friend
Last year there was a woman who came into our running group. She was enthusiastic, positive, friendly and caring. I thought from the first that she must have already known a number of the other runners. But no, she told me she had just moved here by herself only recently. She told me she had done it many times before and had learned that if she was to enjoy her life as a single woman in new locations she would have to make a deliberate effort to go out and meet people. She did this by joining groups, in this case our running group. And sure enough she gathered a group of good friends in short order.
The Gone Friend
Then she moved. Just like that she was gone. Now, in the social media world people aren’t really ever gone, right? So, neither is she. I read her Facebook posts from her new location and guess what she is now enjoying? She is now a hiker and a climber in the Rocky Mountains outside of Denver. And there is photo after photo of her with new friends she met in a hiking group she joined.
The True Friend
One other aspect of her appearance on the scene that I noted. She did not join our running group just to make friends, she also joined so she could be a friend. It wasn’t just her getting her friendship needs met, it was also about what she could offer others. In other words she gave as much as she got.
The Courageous Friend
Now, she is an extrovert and makes friends easy. I know not everyone is like that. But everyone still has a need for friendship and everyone still has to take responsibility for finding those friends, now matter what your personality type. If you move to a new place, get a new job, or enter a new phase of life, chances are people are not going to come out of the woodwork to befriend you. Even if they do, you have to decide to accept and contribute to that friendship.
It takes some courage to go out and make friends, but the results are worth the challenge.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by me, adapted from one by Samuel Johnson
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by Marty Coleman | Nov 15, 2016 | Marty Coleman, Sketchbook History Tour |
I’ve been drawing in sketchbooks for many decades now. I sometimes go back and revisit older books just to see what I did or to show others. Recently I did this with a series of sketchbooks from 2000 on. I discovered a number of drawings I wanted to work on more, mostly in coloring and shading. Here are 4 drawings from this endeavor.
If you know my recent work you know I often write short stories to accompany my drawings. In these drawings though the stories or observations were written directly on the page. I specifically went for stream of consciousness oriented narratives with long run-on sentences that imitated the way I actually experienced and thought about the moment.
HOOPS
‘Hoops’ 2003-2016
The classy student studying with the grey eyeshadow and glimmery lips while her boyfriend who looks young and too young for her reads a magazine with three bug bits on his ankle in a row looking like a constellation and she uses a blue and red pen & huge hoop earrings, the biggest i’ve ever seen with her left hand and very small delicate fingers with no polish in Norman, Oklahoma on a summer’s night that threatens to rain while the two girls behind her wear red Sooner shirts and read & talk about the young star who is too thin and I draw instead of read the manual on the class I am here for while I catch a bright pink purse pass by a tall guy sitting with yellow.
VEINS
‘Veins’ 2003-2016
The tall thin woman at Panera with great veins reading her bible and taking notes and eating a bagel and ignoring that I am drawing her while she drinks coffee and contemplates divorce on a hot summer morning in Tulsa.
SPLOTCHY
‘Splotchy’ 2003-2016
The woman looked like she had been crying; splotchy skin, red eyes & nose but she had not.
RUBY LIPGLOSS
‘Ruby Lipgloss’ 2004-2016
The woman with the ruby lip gloss and zig zag parted hair looking at the person in the door and wondering if he noticed her perfume when he passed as she made a call to her boyfriend to ask if he picked up mascara for her.
Drawings and stories © 2016 Marty Coleman | napkindad.com
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by Marty Coleman | Nov 11, 2016 | Series |
44% of the electorate did not vote in the Presidential election of 2016. That is over 90 million people who were eligible to vote but didn’t. The percentage was even higher in the primaries.
I believe as Dwight Eisenhower did: “Politics ought to be the part-time profession of every citizen who would protect the rights and privileges of free people and who would preserve what is good and fruitful in our national heritage.” This includes voting down ballot, off year, primaries, bond and education issues, etc. They all matter.
Remember, it doesn’t happen by accident. It happens because we vote.
Drawing and commentary © Marty Coleman | napkindad.com
Quote is mine. It is a variation on one by Charles de Montesquieu
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by Marty Coleman | Nov 9, 2016 | Democracy, Marty Coleman |
My father and my mother taught me a very important thing about electing our President.
That is always, no matter if your side wins or loses, hope the best. Hope that the new President is better than what you think he is. Hope that the actions aren’t as severe as his rhetoric has been. Hope that the gravity of the office will infuse this person with a conscience you don’t believe he possesses. Hope that our system of government, with its checks and balances, will wear down the rough edges so people aren’t hurt by his actions and words.
I hope these things, not because I am naive, but because I believe it’s the best way for me personally to move forward as a citizen of the United States.
What do you think?
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by Marty Coleman | Nov 8, 2016 | Series |
It’s Simple
This is simple enough, right? We had a revolution unlike any in the history of the world so we could have control over our own government and those who do the governing. It’s never been perfect but its always been arching towards a more inclusive and complete democracy. This 240 year old truth has been rare in the ongoing world of greedy autocrats and dictators.
We have a system that allows us to peacefully choose our leaders. Don’t take it for granted, no matter what your political inclination. It doesn’t happen by accident. It happens because we vote.
Make no excuses, get out and vote.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote is mine, an adaption of one by Walter H. Judd
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by Marty Coleman | Nov 5, 2016 | Illustrated Short Stories |
Two Women Talking – A Short Short Story
Chapter One
The woman with more hair who could do flamenco curls on her jaw if she wanted talking hesitantly to the friend with the thin eyes and arched eyebrows and lower lip that jutted out who was judging her friend’s mascara as too thick and dark (but I liked it) about why her boyfriend won’t commit and not knowing what to do and how she wakes up at night sure that someone is breaking in and she wonders if she should get a boob job to be more sexy for him and if that would help and her friend said maybe.
The End
Note: original ink drawing was done in 2004. Color added in 2016.
Drawing and Story © 2016 Marty Coleman | napkindad.com
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by Marty Coleman | Nov 4, 2016 | Promises Promises - 2014-16 |
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Surgery
Today I am going to have surgery to remove a nasty bone spur on my left heel. It’s affecting my Achilles tendon to the point where it’s not just painful to run but is painful all the time. The surgery is major and I will be in a cast for a month and then an extensive period of rehab before I can run again. How long? it depends but 4-6 months is the estimate I have heard.
Hippocratic Oath
Why am I telling you this? Because it’s all about promises and performance. The Dr. promised to do the surgery as best he can when he took his Hippocratic Oath upon graduating from medical school. The nurses did the same when they took their oath and the hospital staff all promise to do their best when they get hired. They all promise.
But none of those promises matter if they don’t deliver in their performance. If the Dr. does the surgery wrong, if I get the wrong procedure done, the wrong amount of drugs, or have bad aftercare, then those promises weren’t worth very much.
My Promise
This is an outpatient procedure. I am in their hands for maybe 6-8 hours. Then I am going home. Of course I will be dependent on Linda, my wife, to fulfill her promise of help. But I when it comes to rehab I will primarily be depending on one and only one person to fulfill their promise, and that is me.
I can promise all my friends, family and all my fellow runners, those I coach and those who coach alongside me this: I promise to do what my physical therapist says. I promise to follow my Dr’s orders. I promise to not take too many drugs (or not enough, depending). I promise.
My Performance
But my promises won’t heal me. They won’t build my muscles. They won’t get me back to running. My performance will. So, I can think about it all I want. I can persuade and convince whoever will listen. But, in the end a promise is only something you depend on in advance of something. The performance is what you depend on in the middle of something. I have to perform to get better. Do I think I can do it? You bet. But have I done it yet? No, I have not.
Your Promise
So, promise you will keep a watch on me. Promise to encourage me if you think I need it. Promise to kick my butt if you think I need that. But mostly promise to bring by cookies if you decide that is a critical necessity.
I promise I will eat them (slowly)!
Drawing and commentary © Marty Coleman | napkindad.com
Quote by James Howell, 1594-1666, Angl0-Welsh writer
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by Marty Coleman | Nov 2, 2016 | George Santayana, Promises Promises - 2014-16 |
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The Orange Promise
The Orange Man promises. The Orange Man knows promising things is easy. He promises to pay people and they believe him. He promises to build things like walls and people believe him. He promises he can fix things for people and they believe him. He promises to make things great and people believe him.
The Orange Promise
The Orange Man doesn’t care about what happens after the promise is made. He doesn’t care because he knows how to blame other people for him breaking promises. He is very good at both breaking promises and blaming others for the breaking. He is good at it because he believes it. He believes nothing is his fault. He believes he has never done anything wrong. He believes he always knows what is right to do, even when he doesn’t know anything about the topic he is dealing with.
The Orange Brain
The Orange Man knows this because he has a good brain. He knows this because he thinks smart things. He knows he doesn’t need to study anything because he is so smart. He knows he doesn’t have to listen to others’ ideas about things because he is smarter than they are. He knows this because he has good DNA. He knows he was born smart, as well as good looking.
The Orange Attraction
The Orange Man knows women find him attractive. He knows they can’t keep their hands off of him because he is the most famous orange man in the world. He knows it is his right to do whatever he wants to whatever woman he wants because he is so smart and so good looking and so rich and so famous. He knows this because he does it and he doesn’t get in trouble.
The Orange Matters
The Orange Man knows he is the only person who matters in the world. He knows this because the only person who matters in the world told him so.
The End
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by George Santayana, 1863-1952, Spanish born Philosopher, Essayist and Poet
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by Marty Coleman | Oct 31, 2016 | Promises Promises - 2014-16 |
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What it Doesn’t Say
I had a conversation about this among my live streaming followers as I drew it. Someone said, so you can’t trust anyone’s promises? My response was to point out the wording, “when you MAKE someone promise”. This is about coercing a promise, like coercing a confession. When you do that, you are setting them up to lie to you.
Involuntary Vows
When the vow is voluntary, as it should be in say a wedding, then you should expect they are not under duress or being coerced and will abide by the vow. Of course if it is an arranged marriage against the will of one of those betrothed, or a shotgun wedding due to pregnancy or some other supposed scandal, then it is by it’s very nature coerced and the vow is suspect. That doesn’t mean the person is going to cheat or lie or anything else. It simply means the vow is probably getting in the way of them being honest, not helping them to be.
It’s something to watch out for in our own behavior when we try to get people to be honest with us.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Molly Ringwald, 1968 – not dead yet, American actress and author (When It Happens To You, 2012)
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by Marty Coleman | Oct 28, 2016 | Promises Promises - 2014-16, Russian Proverbs |
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Promises
It’s so prevalent that it’s become a cliche many times over: Put your money where your mouth is. Put a ring on it. Show me. Prove it. Watch what they do, not what they say. What it means is obvious. Promises mean nothing if you don’t back it up with actions.
Big Talkers
Those are the hard lessons for big talkers to learn. It’s also hard if you are prone to enthusiastic responses to inspirational speeches. I know, because I am both. I have my father’s Irish gift of gab, can propound on any number of things. In the past, I have taken that so far as to say I will or can do something. This is especially flagrant if it was after someone has inspired me to volunteer for something. But I often fell down on the job afterwards, inspired enough to promise something, but not dedicated enough to follow through.
Maturity
Now I am less like that. I am still tempted but years of realizing the difference between promising something and delivering has made me much more cautious about making promises, especially of the grand and exalted kind. Now I really try to work through whether the promise is something I can deliver on AFTER the inspirational moment has passed. It means I promise less, maybe even do less. But it also means what I say I will do I am better at actually doing.
I think we all want to get to that point, right?
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote is a Russian proverb
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by Marty Coleman | Oct 24, 2016 | Sketchbook History Tour |
I draw in church. I used to draw the pianist quite a bit but then the orchestra got so big I am no longer able to see her. Now I draw other members of the orchestra, most often the French Horn player and the Violinists. They sit where I have a good view of them and many of them stay during the sermon so I can draw them longer.
Here are 4 drawings from my violinist collection.
I have been drawing in church since I would say about 1981 or so, hard to say exactly. I go between drawing something or someone I see as accurately as I can, as in this drawing and making something completely up in my head having nothing to do with what is in front of me.
‘
I don’t worry to much about getting the background exact. Sometimes I get most of it, sometimes just part of it and make up the rest. In this case only the steps leading to the alter are accurate, with the donation bags full of school supplies sitting in front.
The style I have in each drawing usually depends on the pen I am using. If I use a brush pen the style is simpler, calmer.
Sometimes I will get only a portion of a person on the paper before he or she leaves or moves. In that case I will completely makeup the rest of the drawing.
Drawings and commentary © 2016 Marty Coleman | napkindad.com
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by Marty Coleman | Oct 19, 2016 | Ludwig Borne, Power - 2016 |
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Creating a Coward
This quote starts with an assumption. It assumes we are all cowards. It’s just that some are more cowardly than others. Now, I don’t think in most cases that means intrinsically some are more cowardly. I think it means circumstances, both internal and external, have made some turn and run. And it some cases it’s made people stay and fight but use really stupid and ineffective strategies in that fight.
So, if you want power in these situations one way to do it is to not just imagine someone is a greater coward than you are, but actually create the conditions where the other person has reached the point where they must turn and run. Or, if they do stay and fight, they are so overwhelmed that they fight ineffectively.
In either case, one of the best ways to do it is to have overwhelming force. In other words, 3 pussy cats are better than one when fighting the orange man with the yellow cotton candy on his head. 30 is better than 3 and 300 million are better than 30.
Drawing and commentary © 2016 Marty Coleman | napkindad.com
Quote by Ludwig Börne, 1786-1837, German journalist
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