Photographic Sunday – Fashion
I love fashion shoots because of the great clothing and makeup and the fun that can be had combining it all. Here are some recent images.
© 2021 Marty Coleman | napkindad.com
I love fashion shoots because of the great clothing and makeup and the fun that can be had combining it all. Here are some recent images.
© 2021 Marty Coleman | napkindad.com

![]() |
| “Young Girl” by Paul Klee – Lithograph, 1939. |

Drawing and commentary © 2021 Marty Coleman | napkindad.com
Living in Oklahoma a photographer can either be cursed by the wind or blessed by it. I feel blessed by it. After many outdoor photo sessions I found I had a great collection of images with hair and expressions all over the place. I started to find an emotional aspect to the images that I liked and a series, Emotional Wind, came out of it.
© 2021 Marty Coleman | napkindad.com
![]() |
Geographic Friday it is!The NDD got visits this week from some very cool places.
But he was much more than just a sarcastic wit. He was an amateur scientist, working to discover the elements of fire. He was one of the first to write history in a modern way, paying attention to culture and society as much as military and political events. He was a crusader for the separation of church and state and religious freedom. He wrote more than 20,000 letters and 2,000 books and pamphlets.
Another example of a man who had humor until the end, his famous last words were, “Now, now, my good man, this is not the time for making enemies.” in response to a priest asking him to renounce Satan.
Quote by Voltaire, 1694-1778, French writer
More Voltaire quotes in the napkin drawings
An irish wit if ever there was one, Oscar Wilde lived in the 1800s and ruled the literary world for some time with writings such as ‘The Picture of Dorian Grey’ and ‘The Importance of Being Earnest’.
Unfortunately, the Victorian laws ruled over the land and when it was discovered he had committed ‘the sin that isn’t mentioned’ he was thrown in jail. When he got out he departed for France, never to return.
Nonetheless, he did not lose his wit. The story goes that on his death bed he still had enough left in him to give what has to be the wittiest final words in history, “Either those curtains go, or I do.” The curtains stayed and he went. A variation on the final words is sometimes quoted as, “My wallpaper and I are fighting a duel to the death. One or the other of us has got to go.”
Oscar Wilde holds a dear place in my heart solely because my eldest daughter, Rebekah, loved reading him when she was a teenager. She would always be telling us various quotes and when I was drawing the napkins and putting them in their lunches (read that story here) my most frequent quotist was Mr. Wilde.
Quote by Oscar Wilde, 1854-1900, Irish writer and wit
![]() |
Have you ever read a book where you liked everyone and everything they did? Did you like everything about how they behaved, all their quirks and eccentricities, all their choices and concerns? If that was the case I think you read a pretty boring book.
The essence of a story is conflict. Maybe it’s not through a ‘good vs. evil’, black and white dilemma, but in a story you are introducing characters who have to go through something. They can be very nice people, but if you don’t show some aspect of their character and their methods contributing to the problem as well as the solution, then they really aren’t all that engaging.
You can’t root for someone who has nothing to overcome. What they have to overcome isn’t always something on the outside. It’s often overcoming their own shortcomings. It makes you annoyed seeing those things inside them holding them back while at the same time you are rooting for them to overcome.
Sort of like real life, isn’t it.
Quote by Kingsley Amis, 1922-1995, English novelist
The collages I showed last week were images that were collaged into pre-existing images. This week I am showing collage images that exist by themselves.
This is a series called ‘Postcards’. They are images taken on vacation, collaged together and electronically sent out to give a feeling of where I am and what I am experiencing.
The Stranger Juxtaposition series is similar in nature to the postcards in that the images are mostly taken on vacation, but the focus is on the person, not the place. They are sort of an imagined short story of this stranger I have come across.
She had yet to understand how she could love too much. Not because it was bad but because people would be like lesser mortals and she would end up being like Jesus, without people who understood her and perhaps crucified.
Her dream was to be a dancer from the time she saw her father enthralled by the flamenco troupe that came through her small town in Mexico when she was 7 and a half years old and her son had not even been seen in her far eye. And now her love is so deep and true that she sells her cakes at the mall and dances for him, not her father anymore.
She had something she had seen while on the cruise affixed in her mind. It was in keeping with loneliness and she felt it was obvious to all around her as if it was an adornment atop her head. She wanted desperately to take off the accouterment but was unwilling in the end because she knew it would never be amongst her charms unless she let it shrink in place and migrate to her bracelet of its own accord. So, she let it exist, remaining slightly melancholy for the duration of the voyage.
© 2021 Marty Coleman | napkindad.com