The Hand Model – A Short Story

 

Prologue

She didn’t realize today would be the most important day of her life.

 

In the Exhibition - A Short Short Story

 

Chapter One

The Waitress was waiting tables, depressed and annoyed at having been in the city for months and still not having made any friends or making any progress in her hoped for career as an actress.  Her first table wasn’t making her feel any better.  The man at the table had stopped her the moment she set down his coffee.  He took hold of her hand and stared at it.  He said, “You have a beautiful hand” then let go of it and thanked her for the coffee.  She rolled her eyes as she walked away. “What a loser.” she mumbled.

For the rest of the breakfast he was deep in conversation with his breakfast companion, an elderly woman.  The Waitress guessed she was at least 50 years older than he was.  At first she thought it was probably his Grandmother, but as she heard snippets of the conversation she got the impression it was a business meeting. They talked a lot about costs, delivery dates and clients.

When she took the check from the artist at the end of the meal one of the dollar bills fell on the table.  He picked it up and gave it to her.  When she took it he said loudly, “WAIT!” Once again he took hold of her hand, this time with the dollar bill still in it. He looked up at her and said, “Would you consider modeling for me?”

She gave a deep sigh, rolled her eyes and looked at him with a smirk. “I am a legit artist, really!” he said with a laugh.

The elderly woman nodded her head and said, “He is right, you know. I am his art dealer, have been for 10 years.  You can bring a friend or escort to his studio if that would make you comfortable.  And don’t worry, he will pay you very well.”

The waitress looked at him and said. “Do I have to be naked?”

He laughed again. “No.  Well, your hand does.  I want to do a sculpture using your hand holding a dollar bill.”

She popped out her hip, put her hand on it and smirked again as she said, “My hand? Really?  Not my surpassing feminine beauty? I am not sure what to think of that.”

Everyone laughed.  He said, “Well, how about this. I will do a drawing of your surpassing beauty AND pay you if you will model your hand for me.”

She stared at him a moment then looked over at the elderly lady.  The lady said, “You really should do it, you know. He’s a great guy and artist, plays good music in the studio and always has good coffee brewing.”

“OK.  Done deal. I’ve always wanted to be a hand model!” Sara said.

The artist brought out an old-fashioned appointment book, flipped the pages and landed on a Saturday about 2 weeks away.  He asked, pointing to the page, “Would this be ok? That Saturday, maybe at about 10 am?

She brought out her iPhone, checked the date and said, “Looks good to me.  See you then.”

He got up to leave with his dining companion and the waitress said. “Do you want to know my name? And maybe we should exchange phone numbers?  And I will need the address of your studio as well”

He looked at her with a silly grin and said.  “Sorry, I always forget that part. Thanks for reminding me.  My name is Art Mann and this is my dealer, Vivian DeWhite.  What is yours?”

She raised one eyebrow.  “Your name is Art Mann? Really?  Come on.”

He looked at her, put up two fingers side by side and said, “Scouts honor. That’s my given name.”

She shook her head with a slight grin. “This is just too strange.” she said under her breath.  “My name is Sara.  Sara Montgomery. Nice to meet you Mr. Mann!”

She got his number and the address and said her goodbyes.  As he went out the door he turned around and said with a laugh, “Be careful with that hand for the next two weeks. No ditch digging or other manual labor, ok?”

She gave him the thumbs up with her soon to be immortalized hand and went on to finish her shift, chuckling about the encounter for most of the rest of the day.

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Chapter Two

Sara spent the morning of her modeling debut trying to figure out what and how she should prepare.  She hadn’t dug any ditches and she had moisturized each day. She did do her nails the night before.  And since it was winter she did have warm gloves for the trip to the studio.  Her hands were set.

He said he was going to draw her ‘surpassing beauty’ so she had also done her hair up nice, plucked her eyebrows and bought new mascara that didn’t clump.  She wore a simple green leotard type top, not too much cleavage but enough to maybe impress just a little.  She tried it with and without her bra and even though she thought of herself as still being pretty uplifting in that category, she was worried the studio might be cold and her perky girls would be way too obvious.  She erred on the side of caution and wore a bra.  She wore her go-to jeans and ankle high boots.  He didn’t seem like a perfume type guy so she didn’t put any on.

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Chapter Three

Just as she was about to ring the buzzer at the apartment building when she was startled by the door opening and a very good looking man burstimg out.  He smiled at her as he bounded down the stoop and said in what sounded like a German accent, “You must be the hand model.  You can go right up, he’s expecting you. It’s on the 3rd floor.” He was 10 steps down the street by the time she got out a “Thanks.” and turned back towards the door. She was pretty sure he hadn’t heard her.

She could have gone without the bra. He had a wood-fired stove in the middle and, in spite of the 2 story wall of windows on 2 sides bringing in incredible winter light, the place was toasty warm.  She was very nervous coming in but he welcomed her in with a big smile and a quick hug and that put her at ease.  He offered her coffee or tea and had orange scones on a red plate waiting for her.   She chose the supposedly great coffee and took a scone.

They made small talk for a few minutes, mostly about the cold front that had just moved in and if there would be more snow.  He then jumped up, took her hand and said, “Come on, let me show you my space!”

He had a large array of canvases leaning up against the walls to the left, facing away from her.  She was dying to know what they were of but he didn’t offer to turn them around. There were some drawings tacked up on the partition on the right, between the studio and what she figured was the kitchen and living area; portraits, body parts and full nudes in what she thought was probably charcoal.  Among the drawings was a drawing of an ear with a big gaudy earring hanging from it, a portrait of a woman with a patch over one eye and a fully body nude of a man who she thought looked like the guy she saw bound out of the building.  The drawing was complete except for his genitals. There was just a blank space where they would have been.

There were also three stands with clay sculptures on them against the windows.  There was a nose with a clothes pin holding the nostrils closed, a foot in a high heel standing on an unbroken light bulb and a set of very round butt cheeks with a smoking pipe sticking out of it.  Each one was about 2 feet tall.

He said that each piece started the same way the one he was going to do of her started. He met them as strangers, liked something about them and asked if they would model for him.  She couldn’t help but wonder about the circumstances behind them all, and finally had to say something when they got to the sculpture of the butt cheeks.

She could feel a flush coming to her cheeks as she asked, “So, how exactly did you approach this woman to ask her to model her butt for you?”

He laughed, “I was wondering if you were going to ask!  So many people see these pieces and know that they are all of strangers and never ask.  I would certainly ask if I heard that story!”  He pointed to the butt cheeks and said, “This is actually one of the simplest of explanations.  She works out at the gym I go to.  She is pretty much a superstar there and loves being the center of attention.  I did exactly what I did with you, minus the ‘touching the body part’ part of course.  I just told her she had amazing glutes and asked if she would model them for me.  She did look at me a bit funny but I explained myself and she agreed. That is all there is too it.”

“Did she know you were going to stick a pipe up her butt?” she asked with a smile on face.

He bowed his head a bit and responded, “uh…No, she didn’t know that.  I didn’t even know that until I was pretty much done.  But, she’s seen it since and thinks it ‘gnarly cool’ to quote her.”

She looked at him and said, “Now I am nervous!  What are you going to do or add to my hand after you are done sculpting it?  Should I be worried.”

He laughed, “No, I already know what is going in your hand. It’s going to be the one dollar bill you had in your hand at the restaurant when I asked you.”

“Really?” she asked.  “Promise? You promise nothing perverse or x-rated will be in my hand?  I don’t want to bring my mom and dad to some opening and find my hand has a dildo or something in it!”

“No, sorry.” he said.  “Just a boring old dollar bill, I promise.”

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Chapter Four

The actual modeling session went by quickly and without much excitement.  He posed her arm so her elbow was on a table and her hand was facing straight up.  At first her hand was empty but with her fingers together as if she was holding a dollar bill in them.  He took photos from every conceivable angle, with and without a flash.  He had her hold a dollar bill and he did the same set of photos all over again.  He then sat very close in front of her and drew her hand a number of times.  He did quick 30 second drawings that looked like scribbles to her and then worked his way up to a drawing that took almost an hour. She got a break after the short drawings and that was a very good thing because the coffee (which was very good) had gone through her and she was about to pee in her pants if he hadn’t stopped drawing right then.

She pretty much ran to the bathroom, barely getting her pants down before she let go.  She hung her head down while she went, eyes closed in relief.  It wasn’t until she looked up to find the toilet paper that she realized there was a huge drawing of a orangutan’s face staring right at her from the back of the bathroom door.  She almost screamed when she saw it.  She muttered to herself as she washed her hands, “At least it wasn’t butt cheeks”

The hour long pose was much harder than she imagined. Her fingers got tired and cramped and then seemed to fall asleep. She had to take a break and shake out her hand to get blood flowing back to it.  But soon enough it was over. He exclaimed, “Finito! at least for now.”  She got up, stretched a bit and asked if she could take a look at his drawing.  He gestured to it sitting on his drawing bench and said, “Feel free.  I will use it, along with the photos, as a basis for the sculpture.  I expect it will take me a few months to finish it.  I am going to have a show in the fall at Vivian’s Gallery and I am hopeful it will be in the show. I will let you know. “

After a break for more coffee and one last scone he said, “Ok, I promised you a drawing of your surpassing beauty so let’s get to it.”  He brought her over to his drawing table and had her sit across from her. He told her to just look right over his head out the windows behind him.  He said her eyes could go wherever she wanted as long as her head stayed in the same position.  As he drew she scanned the apartment building across the street. There was one window with the curtains open where a woman was pacing back and forth talking on the phone.  She imagined what that conversation was all about, creating a story in her head about the woman and her lover having an argument about how badly he behaved at her company Christmas party the night before.  Before the drawing was over she had decided the woman really needed to break up with the guy and see a shrink.

Right as she came to that conclusion Art said, “Ok, all done.”  He picked up the drawing and turned it around to show her.  She had to admit, he had made her look beautiful.  Probably the most beautiful she had ever seen herself. And it wasn’t that it was unrealistic, it actually did look just like her and it was beautiful. She really didn’t know what to say but she managed to eek out a “Wow, that is amazing, thank you!”

Art went over to a drawer, slipped the drawing in.  Sara looked at him and said, “What, I don’t get the drawing?”

He said, “I said I would draw you, not that I would give you the drawing.”

She stared at him.  “Sheesh, what a rip off. I was brought here under false pretenses!” She said with a laugh.

Art said, “I didn’t say I would NEVER give it to you, just not now.”

Sara harrumphed, “Alrighty then. I’ll expect it for Christmas or my birthday.”

And with that, it was time to go. She had about 2 hours to get home, maybe take a nap and get ready for her dinner shift at the restaurant.  He led her to the door of his studio and handed her a check as he bid her farewell.  It was for $250.00. Not a bad haul for a few hours of sitting around with her hand in the air, she thought.

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Chapter Five

Sara didn’t see Art again until the opening of his show 8 months later.  However, In the intervening months Sara’s life changed dramatically.  In spite of the hand cramp she loved doing the modeling.  She found out from a friend that agencies around the city didn’t just look for face and body models but also for body part models, like hands and feet.  She got up her nerve and contacted an agency after seeing photos of  hands on their site.  Sara had a photographer friend take some photos of her hands in Black and White and submitted them to the agency to be considered.

Within a week she got a call asking her to come in and within a week after that she had her first job hand modeling. It was for a brand of rubber gloves and she was photographed putting the gloves on and off.  It wasn’t glamorous and it paid poorly but amazingly within 4 months she was getting enough work as a model to go down to about 3 dinner shifts a week waiting tables.  After 3 months she had a premium shoot for jewelry that paid really good money. She got to wear bracelets and rings all day long as they photographed and videotaped her lounging around in a very ritzy apartment on the 76th floor of some building on the upper east side of Manhattan.  They had put a very sexy party dress on her and even did her makeup and hair.   It wasn’t scripted or rehearsed but at the last minute they asked her say something while looking directly into the camera while slipping a bracelet over her wrist.  It was just one line, “It’s not jewelry, it’s art.” and she nailed it the first time around. They had her do it twice more just in case, once smiling as she said it and another time looking off camera.

She had to give the dress and jewelry back of course but her makeup and hair were still done. Even back in her day-to-day clothes she felt like a glamorous movie star. When she went back out onto 5th Avenue pretending to be a movie star.  She put her sunglasses on with one deliberate arch of her arm and hand to her face.  She pulled her gloves on with an elegant tug.  She stopped to look in the windows of the boutiques, striking a deliberately casual pose each time.  She went into one of the stores and bought a Burberry scarf.  She threw it over her shoulder with a  flourish as she left the store. When stopping for coffee she kept her sunglasses on inside the coffee shop.  She said, “Thank you, dear” to the barista.

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Chapter Six

On the evening of Art’s opening Sara was ecstatic.  She had the date circled on her calendar for over a month. She had even rejected a modeling gig that afternoon because she knew the photographer was notoriously flaky and would take about 3 hours longer than he said he would to get the project done.  He also had tried to hit on her last time they worked together and she wasn’t the least bit interested.  She had her hair and makeup done in that same glamorous style she had at her first big jewelry shoot.  She bought a low cut green dress that she felt showed off her new, thinner figure, to best advantage.  This time she wore perfume.

She went to the opening alone.  She knew her mother would freak out if there were any ‘naked’ pieces so she thought it would be better to bring her to the gallery when it was empty instead of on opening night.  She could have brought her younger brother but once again he would have giggled and made fun of anything remotely skin oriented.  She had one friend, a model she had met recently, who was going to go with her but she had come down with Bronchitis and was coughing incessantly.  It was better to just enjoy a solo night out and see who she might meet at the show than force some friend who wasn’t going to be into it to go with her.

When she arrived the gallery was filled with people who she did not know. She immediately started to think it might have been a bad idea to come alone when Vivian DeWight approached her with arms outstretched and a big smile.  She greeted Sara and gave her a double kiss, not air kisses but actual kisses, on both cheeks. Sara liked that, her lips were warm and she could smell a great perfume on her.

Vivian quickly turned away and pulled a young man over.  “Sara, this is Hans.  He’s from Germany, just moved to New York about a year ago.  He is also one of Art’s models.  As a matter of fact, he is in a painting very close to the sculpture of your hand!”

Hans shook her hand politely. She could tell he didn’t recognize her. But she recognized him as the guy leaving Art’s studio as she was arriving that day.  She remembered his height and his very cool floppy knit cap.  He gave her a bit of a thrill as he pulled his hand away from her, dragging his fingers ever so slightly across her palm as he did so.  She was a terrible guesser of height and age but she thought he was at least 6 feet tall and maybe 30 years old.  She really had no idea but she guessed in her head all the same.

Sara said, “He doesn’t remember, but we met that day at the studio. Well, almost met. He came out in a rush as I went in. He let me in and yelled, “Third floor!” as he ran down the steps.”

Hans looked at her intently and said, “You know, now that I look at you, I do remember. You had on green that day as well, right?”

Sara was impressed.  To remember what color she was wearing 8 months later? That showed some serious attention to detail she thought.  She said, “Yes, I was.  Some sort of brownie points are due for remembering that!”

“I have a thing about color, I pay way too much attention to it!” he said with a smile.  

Sara responded, “Well, it worked on your behalf tonight, that is for sure.”

Vivian said, “Well, you two seem to be getting along famously.  I am going to go check if the wine has run out yet. You two enjoy!” and off she went.

There was a bit of an awkward silence after Vivian left.  Then Hans leaned forward and said, “By the way, your hand looks and feels more beautiful than the sculpture of it.”

Sara felt her neck warm up, a sign she was about to blush.  “Thank you. Wait, how do you know my hand feels better than the sculpture?” she said with a laugh.

“Well, don’t tell anyone but I always find a way to touch sculptures, even if there is a sign saying ‘Don’t Touch’.”

Sara raised an eyebrow and said in mock indignation, “So you went and fondled my hand before you even knew me? Aren’t you the rude sort!”

Hans laughed, “Yes, I am afraid I am a bit of a rule breaker that way. So sorry, but I couldn’t resist. It really is a beautiful sculpture of a beautiful hand!”

Sara responded, “Well, I just arrived and haven’t even seen my allegedly beautiful immortalized hand yet.  Are you going to show me where it is or do I have to search it out myself?”

Hans grabbed her hand and said, “Let’s go, it’s in the back gallery. It’s where all the best pieces are!”

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Chapter 7

Twice, as they moved through the crowd, they were stopped by people greeting Hans and telling him they loved the painting he was in. One slightly tipsy woman in a blue beret said, “That painting has me wanting to see more!”  Sara was puzzled, and after they moved away from the woman, said to Hans, “She wants to see more? There’s like 25 more paintings within 100 feet of her, what is she talking about?”

Hans laughed and said, “Oh, yea that. I’ve already gotten a comment like that 3 times tonight. You’ll see what she is talking about when you see the painting.  But just remember, the artist is a master of hyperbole and symbolism, not realism.”  She had no clue what he meant by that.

They both collected a champagne flute and plate of hors d’oeuvres by the time they got to the back gallery. Sara was putting a brownie shaped like a starfish in her mouth when she finally saw her piece.  It was what she expected and then again it was nothing like she expected.  It did look like her hand, the shape of the fingers, the size of the fingernails, even the longer than usual life line on her palm, were all exact.  Her hand also had a dollar bill in it, just like Art said it would have.  But she didn’t expect her hand to be green nor the dollar bill to be purple.  But not expecting that didn’t mean she didn’t like it. She thought it was very cool.  She liked the colors being different. It made the piece familiar and new at the same time.  She put down her plate and glass and brought out the price list they had at the gallery door.  There was a photo of her piece on the front and a list of all the pieces in the show inside.  She looked up her piece and the brownie almost fell out of her mouth.  It was listed for $25,000.00!

She leaned over to Hans and whispered, “If I knew the piece would be that expensive I would have asked for more money to model!”

Hans responded, “Tell me about it!  The painting I am in is priced at $60,000.00!”

She looked at him with her mouth open. “Really? Wow, I want to see it, where is it?”

He chuckled, “You are standing right in front of it.  It’s right behind your piece, over there, on the left.”

She looked up and saw a painting at least 8 feet tall. It was of a sparse landscape with a nude man standing in the middle of it. There was a road leading from the man’s feet back to a volcano in the distance.  He was looking down with sloped shoulders. He had on his cool knitted hat.  His eyes were sad and he looked depressed.  He also had a very large penis hanging straight down.

Sara pointed to the penis and laughed, “Don’t tell me that is what Art saw on you that he wanted to paint!”

Hans responded dead pan with a straight face,  “Yep.”

Sara stiffened and stopped breathing. Nobody has a penis that big she thought.  She was trying to figure out what to do next when Hans slapped her on the back.

“JUST JOKING!  He actually liked my cap and that is what got his attention.  He asked to paint me when we met at a coffee shop one morning.” Hans said through his laughter.

Sara breathed again and laughed as well.  “Ah, so that’s not realistic?”

Hans said, “Well I didn’t say that.”  

Sara was trying to figure out how to change the topic when Hans said, “But sorry to disappoint, it’s not. I didn’t even pose nude for him. I had on underwear on. He told me the painting would eventually be a nude and I told him I was cool with it but he said I didn’t need to pose nude, which was a relief. I am a bit too modest for that. Ironically, now everyone thinks I did pose nude and that I have this gigantic appendage. It’s really pretty funny to me.”

Sara laughed and said, “This has got to be the strangest conversation and evening I have had in a long, long time!”

Hans laughed as well as he responded, “You and me both.”

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Chapter Eight

After that funny episode Hans and Sara walked around the gallery together.  They had a hilarious time talking about the art, wondering if they would ever buy any of the pieces if they had the money. They decided they would. Hans said he would buy her hand sculpture and put it on his dresser to hold his watch.  After explaining her mother would disown her if she had a big painting of a naked guy in her apartment, Sara said she the most she could get away with would be to buy the sculpture of the big butt with the pipe coming out of it so she would have something to hang her scarves on.  Her mom would likely have a heart attack when she saw it, she said. They decided Art would never let them buy the pieces if they knew what they would be used for.  They also came to the conclusion that they should form an artist’s model union and demand more money.

After about an hour of walking around the show Hans asked Sara if she would like to go get a bite to eat.  They said their goodbyes to Art and Vivian, thanking them for including them in the show.  It was a warm evening and they walked across town a few blocks to the West Village where Hans said he knew of a great place that served killer Pho noodles.  Sara had never had Pho noodles but was game for it.

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Epilogue

Sara and Hans dated for 2 years before Hans asked her to marry him.  They were married in Vivian’s gallery and Art was in attendance.  His wedding gift was two drawings, the portrait of Sara he had done and the drawing of Hans that had been on his studio wall when Sara modeled. Art had never finished the drawing, the genitals were still missing.  Hans and Sara had both pieces up in their living room and loved to tell the story of how they met when people would ask about the drawings.

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The End

The Past’s Future – The Future #5

This ain’t nothin’ but another future.

 

The Futures of the Past

 

Pet Peeve Rant

A pet peeve of mine are the Facebook posts that brag about how great the past used to be. How we didn’t have seat belts and we didn’t die, how we didn’t have the internet and we played in the mud and we didn’t die. How we had respect for our elders and we didn’t die.  That grandma cooked things from the garden and from stuff given by a neighbor and we didn’t die.

The upshot of all that is ‘The past we had was great because we didn’t die.’

There is then of course a comparison to now.  Now we have fat kids on the internet who don’t play in the mud and they are going to die.  We have seat belt laws and that takes away our freedom to die.  Other peoples’ kids are brats and they are going to cause themselves or others to die.  Our country is going down the toilet because of all these terrible people who weren’t raised right and that is going to cause us to die.

The upshot of that second part is, ‘the past was much better, the present sucks and the future is going to suck even more and as a result we are all going to die.’

Style and Culture

And this really shows up in style and culture. The saggy pants? They show humanity has fallen.  Forget that the same person who says the saggy pants suck also says the old style of the high waisted shorts from the 80s suck too.  Low sucks, high sucks.

Music today sucks of course. Why? Because it’s not the old music, which was much better and proved we were geniuses back then. And people allegedly making music now?  They suck and their music sucks because they aren’t as great as we were.

It All Sucks

Here is the truth; if you think the present and future suck it’s because you are becoming an old curmudgeon who has forgotten how your grandparents said the same thing about your generation. It’s because you gave up on discovering new music and movies and art and literature. It’s because you are afraid to see your world disappear but you are even more afraid to explore the world today. So you sit and complain about things you haven’t really explored or tried to understand.  You judge because judging feels good and backs up your prejudices and inclinations.  

It’s All Great

Here is another truth;  the youngest generation doesn’t really care what you think.  They are on to you. They listen to your rant and know you are speaking from ignorance.  They know their music is awesome and their art, and their movies. They know their food and attitudes and work ethic and a million other things are just fine.  They don’t need your approval.

Barbarian Truth

The truth is the worst of the older generation has ALWAYS condemned the world to destruction at the hands of the younger Barbarians at the gates.  Ancient Greek curmudgeons complained about the younger generation 3,000 years ago and it hasn’t stopped yet.

How To Not Be A Curmudgeon

And the other truth is the best of the older generation stays open to what each new generation has to offer and does it’s best to understand it on the new generation’s terms, not their own. They keep an open mind about music and art and tattoos and clothing and style and words and sex and ways of understanding the world.  They are the ones who stay young and engaged in the world today.

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Drawing and rant by Marty Coleman

Quote by Yogi Berra, 1925 – not dead yet, American Baseball player and Paul Valery, 1871-1945, French poet

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Controlling Your Future – The Future #4

 

In the future, this will be known as #4 in my Future series!

 

future #4

All to Some

Let’s get this out of the way right off the bat.  We have very little control over anything.  If you don’t know that, you probably will learn it soon enough. Having determined that we have very little control, let’s also acknowledge that means we do have some control.

Some to None

Within the admittedly small area where we could have control, many of us don’t take it.  We are like a hot air balloon drifting in the wind.  If it blows us towards the fire, we become a fire fighter. If it blows us towards the office building we become an office worker.  

None to Done

Why don’t we take control of those things we are capable of controlling? Maybe it’s another person; a parent, spouse, boss, friend, who is trying to control you or circumstances. If you are afraid of conflict or worried about consequences of fighting for control, you are likely to let the other person’s vision for your future to dominate.

Here’s a great example of what I am talking about. A friend in college was a wonderful organist. He had a dream of being an organist in a big church as his career.  But his father was adamant, he was going to go into banking. And so he was a teller in a bank and had every intention of going into banking even though he didn’t like banking.  He was a very depressed guy. 

Do you have an example of this in your life or the life of someone you know?

Done to Fun

If you don’t work towards the future you want chances are you will be dissatisfied with the future you find.  And that means you won’t have the fun and joy in life that you could have if you pursued your vision.

Don’t be a hot air balloon, be an airplane.

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Drawing and commentary by Marty Coleman

Quote by Jack Welch, 1935 – not dead yet, American businessman.  His original quote had ‘destiny’ instead of ‘future’.  

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“Control your own future or someone else will.”

The Trip to the Museum – A Short, Short Story

 

Prologue

She was born in 1975 in Tupelo, Mississippi but moved with her family to Paris, France at the age of 2.  She had been married but her American husband had been killed in the Iraq War. She was an accountant and liked to do crafts.  She had one son.

 

A Woman Pointing at a Sculpture of Herself

 

Chapter One

The mom brought her son to see the museum exhibition of the famous artist’s work.  She had been a muse for the artist, posing for a giant sculpture of her head, as well as a number of paintings. The artist had painted 10 paintings of her but only two were in the show. Both were big paintings of her jumping. In one, she was jumping over a fence to escape a bear. In the other she was jumping into a pool to escape a fire.

Chapter Two

After they saw the paintings they went into the gallery that had the giant sculpture. She explained to her son that she had to sit still for a whole hour, then would get a 5 minute break, then would have to sit again for another hour and how this went on for about 4 hours each day for a month. The son thought that would be really boring.

Chapter Three

The son also thought the sculpture was boring because it was just his mom, only really big.  The son got excited though when two young women came up to his mom and asked her if she was the model.  They asked all sorts of questions about the artist and wondered if the artist was looking for models because they thought it would be cool to pose for a famous artist.  The mom said the artist was always looking for models and to just email the artist through the artist’s website.  The son pointed to the giant sculpture and said, “My mom had to sit still for like forever and barely ever got to go pee.”  The two women laughed and patted him on the head.

Chapter Four

They looked at the other paintings in the exhibition and the son asked all sorts of questions.  His mom answered them all as best she could. He told her he thought the paintings of her jumping to escape things were the best in the whole show and asked if they could go back into that other gallery to see those paintings again.  He also said the painting of the man with the blue penis was really funny because no one really has a blue one.

Chapter Five

After they left the museum they went for ice cream as it was a very hot day.  The son told the mom she was prettier than the art she was in.  The mom smiled and was happy.

Epilogue

What is the gender of the artist?

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Drawing and short story by Marty Coleman

 

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The Daily Wall – The Future #3

 

It’s day #3 of The Future!

 

future3_sm

 

The Big Picture

As a coach of runner’s moving up in both distance and speed I regularly come across a lot of doubts and fears.  Their goal is a race about 12 weeks away at the start of the season and they are often petrified about their ability to achieve their goal.  They can run a 5k race (3.1 miles) but a 10k (6.2 miles) or 15k (9.3 miles) or 1/2 marathon (13.1 miles) race?  THAT is something beyond their abilities and thus they fear they can’t do it.

And you know what my response to calm their fears and give them confidence is?  I tell them this:  You are right, you can’t do it…

Yet

I teach them that three letter word, ‘yet’, and it makes all the difference. It makes a difference because it helps them understand two critical things.  First is, they don’t have to run a 1/2 marathon today.  All they have to do is run the training run slated for today.  That means they have to run 3 miles, maybe 4.  Not 6 or 9 or 13, just 3, which they know, and I know, they can do.  They can relax that way and just focus on the small picture, a much easier task.

Second is, training (and life) is a cumulative process. That brick wall you sometimes hit in training? While it stops you dead in your tracks, it also returns some value. And that value, otherwise known as ‘experience’. will come in very handy, perhaps at the next training run. Or maybe on your rest day. Or maybe 10 weeks down the road at the race. Who knows when you can spend what you earned from that workout. I don’t know. But I know you earned it and it’s in you and you will need it later on in the future.

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Drawing and commentary by Marty Coleman

Quote by Abraham Lincoln, 1809-1865, American President #16.

 

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The Meteorologist’s Poem – Visual Poem #9

Outwin Boochever Portrait Competition

 

Every three years the Smithsonian’s National Portrait Gallery in Washington, D.C.  holds a juried portrait competition.  The process is very competitive, as you might imagine when the first prize money is $25,000.00. The time frame is long.  The semi-finalists will be announced in March, 2015.  They will then send their actual work for consideration and the finalists in September, 2015.  The exhibition will open in March, 2016.

I waited until the last day to enter this year.  I had created a portrait collage earlier in 2014, using photos taken of my friend, the Meteorologist, Brittany Rainey, at Philbrook Museum of Art and at her home.  It is one in a series called ‘Visual Poems’ that includes images and written text.  It’s also a continuation of my long-term ongoing series, ‘IN Public/Private’ on public personalities in Tulsa, primarily TV news anchors and reporters.

 

The Meteorologist's Poem

The Meteorologist’s Poem

 

Here is the image reduced in size. The printed image should be around 4 feet wide.

I also sent a closeup detail so they could get a better idea of the piece.

 

themeteorologistspoem_2014_closeup

 

Find more of the Visual Poems Series here

Find the ‘IN Public/Private’ series here

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Photo-collage by Marty Coleman

Model – Brittany Rainey

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Gratitude for the Unannounced – The Future #2

 

This is yesterday’s future napkin.  

 

future 2

 

The Unannounced Life

My late father, Skeets Coleman, home from World War II, did not return to Iowa where he was raised but instead stayed in the San Diego area and operated the Del Mar Airport in the late 40s.  The secretary he hired? She, Dorothy Lee Powell, became his wife and my mother.  

My late ex-father-in-law from California, Dwight Johnson, was in military training in Vermont back in the Korean War era. He needed an ironing board and being the do-it-yourself type, he went to the local hardware/lumber yard to get a flat 1×6 piece of wood to use for that purpose.  The person who sold him the board?  She, Vivian Lambert, became his wife.  

In the 70s I transferred to UC Santa Barbara after having left a college on the East Coast. I got involved with a Student Christian group on campus.  At a Halloween party I met a girl dressed up as Pippie Longstockings.  She, Kathy Johnson, later became my wife.  

In 2000 my oldest daughter, Rebekah Coleman, left Oklahoma and went to St. John’s College in Maryland.  One of the first people she met, Patrick Evans, is now her husband.  

After my divorce in 2000 I started dating via online dating services.  Unbeknownst to me a woman, Linda Reynolds, divorced a few years before, also was dating online.  We had a date and 3 years later we were married. I gained a step-daughter, Caitlin Reynolds. 

In 2011 my 2nd youngest daughter, Chelsea Coleman, moved to Berkeley to escape the cold and dreary winter in Seattle while her then husband was deployed for 6 months.  She started playing music with various people.  One person she played with, Graham Patzner, became a friend, and after her marriage ended in divorce, they started to date.  

How the Future Arrives

My point in reciting this family history is simple. To remind myself that the future arrives unannounced every day. Whether it’s for good or bad, all our planning and organizing of life will never overcome that one inescapable truth.  When we understand and accept that, our lives become easier and happier.

The Result is Thanksgiving

One result of these unannounced futures is that I am now Papa Marty and Linda is MeeMee to Vivian Isabel Evans and Otis Martin Coleman-Patzner.  Another result is we are headed to Dallas for the Thanksgiving weekend to visit Caitlin and go to the Dallas Cowboys football game.

And for all those futures past, I am filled with gratitude and thanksgiving.

 

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Drawing and commentary by Marty Coleman

Quote by George Will, 1941-not dead yet, American writer and political pundit

 

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The Belly Dancer and the Wolf – A Short Short Story

 

 

The Belly Dancer and the Wolf

 

Prologue

The Belly Dancer was glad the final pose in her debut as a figure model for the art class was laying down.  She was also glad she could close her eyes because then she wouldn’t have to look at the hideously scary painting of a wolf that was on the wall behind her.

At the last minute she decided to get her scimitar and use it as a prop in the pose.  She knew it would create drama, adding an exotic and dangerous element to her character.  While she knew it was unlikely the artists drawing her would understand, when she danced she became Zaira, The Rose Princess of the Tribe.  She changed from being the dutiful daughter, the loyal office worker, and the meek sister into the strong and courageous Princess.

Chapter One

The room was warm and the pose was easy. Soon she had closed her eyes and fallen into a dreaming sleep.  She dreamt she was alone in the hot desert of North Africa. She was out searching for her little brother, who had not returned after a day in which he had supposedly gone out to catch lizards in the dunes with friends.  It was now night under a full moon and the family had spread out across the desert to find him.  She was given the direction due south, towards the small group of hills that made the southern border of their tribe’s land.  She was about a mile from their home when she heard the howls.

Chapter Two

Howling was not uncommon in her land but it was always far away.  This time it was very close.  She walked faster along a line of date trees that were fed by a small spring to the west.  She knew the trees would lead to the edge of the hills and that would likely be where her brother would go if he were stuck in the desert at night.  It was also where the howling had come from.  The moon had partially disappeared behind the hills by the time she reached their start.  She could see shadows cast by jagged rock outcroppings. It made for a disconcerting scene.

Chapter Three

Just as she was about to call her brother’s name she heard a rustling behind her. She turned to see another large shadow, also appearing to be of jagged rocks.  Then the shadow moved.  Then the shadow snarled.  She was able to see now that it was a large wolf, bristling hair high up on it’s neck and back. It’s head was lowered and it started pacing back and forth in front of her. Every turn it made it took a step closer as well.  She was able to see as it got closer that it’s mouth was dripping something. When it turned again and came another step closer she could see it was blood.

Chapter Four

She had been taught to hunt by her father, a rarity among the women of her tribe.  But he had told her that the hunted doesn’t care of you are a woman or a man. If they sense fear they will attack. He wanted everyone in his family to be able to protect themselves and anyone else in the family, no matter what they were born as.  She was thankful for her upbringing even when it meant she was teased by the boys and girls in her tribe.

Chapter  Five

She slowly put her left hand over her head and reached behind to her back. She drew out her scimitar from its sheath and brought it to the front. With her right hand she drew out the knife she had in her belt.  The wolf sensed his prey getting ready to defend itself and attacked swiftly. He ran directly at her, a distance of about 20 feet.  It took no more than 3 leaps before he was airborne with his teeth bared, aiming for her neck.  She was able to fall to her left as he passed over. As he went by she thrust upward with her knife, piercing his chest on the right side.  He collapsed as he hit the ground. A second later he was back up.  He turned, exhaling and coughing. She knew she had hit his lungs.  She knew she had but a moment to do what she knew was next.  Instead of waiting for him to attack she ran towards his wounded right side. He was not able to turn quickly in that direction and before he could get around to face her she had struck a blow on his neck with her sword.  He fell to the ground, his spinal cord cut.

Chapter Six

She didn’t have to take a second look at her foe. She knew he was dead. She turned back to her task, calling her brother’s name while running around the nearest rocky rise to see if he was behind it. She was worried that the blood on the wolf’s mouth had been that of her brother. She was prepared to see her brother dead and mangled somewhere close by.  When she came around the rocks she did indeed see a mangled and bloody body. But it was not of her brother but of a young lamb.  She called again as she walked deeper among the rocks.  A few moments later she heard his faint voice responding. The voice was above her. She looked up and saw her brother standing on a single pillar of rock, no wider than he was.

Chapter Seven

Zaira returned to her family’s home with her brother about 3 hours after she had left.  They were welcomed back with love and tears.  She told the story of her search, the fight with the wolf and how her brother was smart enough to escape the wolf by climbing up a high and precarious set of rocks that the wolf could not climb.  The family was proud of Zaira and told the story for many generations thereafter.

Epilogue

Zaira woke with a start when the drawing monitor called ‘time’s up, pose is over.’ When she opened her eyes the first thing she saw was the painting of the wolf on the wall.  She laughed at the wolf and told the assembled artists, “I just killed that wolf in my dream!”  They all applauded and thanked her for her heroic deed.

 

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Drawing and story by Marty Coleman

 

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Avoiding Your Destiny – The Future #1

 

My Morning Destiny

I woke up at 4:30am this morning.  That actually not that odd of a time for me, maybe about a 1/2 an hour earlier that my usual early start.  I could have stayed in bed another 1/2 an hour but my mind had decided on ‘The Future’ as being my next series and I needed to go write it down and start researching.  It’s now 11:30 and, in between checking posts from friends and families,  I’ve been working on preparing the series and on this drawing for about 6 hours already. 

When I found this quote today I realized I had just seen it within a day or so on Facebook. I thought it was something my friend Kimberley Blaine had posted but I couldn’t find it on her timeline so it probably was someone else.

 

Avoiding Destiny - The Future #1

 

Final Destination

Have you ever seen the movie ‘Final Destination’? It’s about a group of friends who do not get on an airplane because of a dream one of the group has while napping at the airport right before boarding that the airplane is going to explode and crash and they will all die.  The airplane does in deed explode right in front of them and they are thus saved from death.

However, it now seems they have cheated death. They were suppose to die and didn’t, thus the grim reaper has to go find them and kill them.  The movie is filled with crazy and convoluted ways people die. It’s gruesome and scary and funny and shocking all at the same time.

Your Destiny

Have you had this experience?  It’s not uncommon in both fact and fiction. There have been many stories over the centuries of people doing everything they can to avoid their destiny when it comes knocking, only to find it where they land in their escape. It’s not just about escaping death, but many other things as well; success, failure, family, aging, disease, fame, disaster, you name it and we can be adamant about trying to avoid it and it still finds us.

 

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Drawing and commentary by Marty Coleman

Quote by Jean de La Fontaine, 1621-1695,  French Poet

 

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“A person often meets their destiny on the road they took to avoid it”

Dr. Sketchy’s Anti-Art School – November, 2014

 

Figure Drawing

Ever since I was 17 and still in High School I have been figure drawing (yes, that means naked people).  I also taught it for quite some time during the 80s and 90s.

Often times artists don’t really want to take a class in figure drawing, they just want to draw the figure.  To fill that need around the country at art centers and museums and schools they have open figure drawing sessions. You pay a certain amount to cover the cost of paying the model, and then you just draw.  They have someone in charge of hiring the models and keeping time, but that is about it.

 

Zaira Amar 5

Zaira Amar – 3 minute pose

 

It’s Not What You Think

Most of the time these sessions are very staid and mundane. I don’t mean there aren’t great models and drawings being done but, opposite of the popular imagination, they aren’t lascivious bastions of libertine men and scarlet women indulging in pornographic excess.  They are models, male and female, with bodies of all sorts posing in academic poses that aren’t presented as sexual or titillating.

 

Zaira Amar - 3 minute pose

Zaira Amar – 3 minute pose

 

Dr. Sketchy

About 10 years ago a burlesque dancer in San Francisco, Molly Crabapple, decided to try something different to shake up this way of figure drawing.  She founded the Dr. Sketchy’s Anti-Art School. It really isn’t a school at all, it’s just a fun, recurring event that combines performance, modeling, drinking and drawing.

 

Zaira Amar 3

Zaira Amar – 10 minute pose

 

Lot6 Art Bar

Last night (11/15/14) was the first Dr. Sketchy event in Tulsa in many years.  I had wanted to go to it back when it was last active, in 2010, but never got around to it.  But I had an opportunity last night to go.  These are the drawings that resulted.  Nothing fancy or profound, just some fun drawings.  It took place at a very cool Art Bar close to downtown Tulsa called Lot6.

 

Zaira Amar 2

Zaira Amar – 5 minute pose

 

The Belly Dancer 

The model you see here, Zaira Amar, first did a belly dance, then sat for a total of 5 drawings, ranging in time from 3 to 20 minutes in length.  I can tell you, it’s not a lot of time when a model is nude, but put her or him in a costume with textures and baubles and jewelry and yards of fabric and it’s really not a lot of time! 

 

 

Zaira Amar 1

Zaira Amar – 20 minute pose

 

Scimitar

She had a giant scimitar sword that she held for a few of her poses.  I was worried she would drop it or cut herself somehow, but she obviously knew what she was doing with it having danced with it many time I think.

 

The Belly Dancer and the Wolf

 

Here’s the finished drawing, completed a few weeks later. Here’s a link to a short story illustrated with this image

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Comedy Included

 

In between the dancing and modeling there also was a stand up comedian, Drew Welcher. She was pretty funny, mostly self-deprecating about her sexuality and her body.  She got a bit raunchy, but I was busy drawing her and was actually only paying so much attention to her routine.   

 

Drew Welcher 1

Drew Welcher – Stand-up Comedian

 

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The Burlesque Dancer

 

The other model for the night was Afsana Rose, a burlesque dancer.  She did a very cool feathered fan dance, then modeled for times ranging from 3 to 20 minutes just as Zaira did.

 

Afsana Rose 2

Afsana Rose – 3 minute pose

 

While I was drawing, Hilton Price, the MC for the evening, took this photo of me drawing Afsana for future publicity.

 

medrawingafsana

 

Draw What It Is Doing, Not What It Is

I got a drawing lesson many decades ago from a great professor of mine, Michael Mazur.  He said, “make your hand do what the thing you are drawing is doing.”  In other words, if the thing is solid and rectalinear, then make your drawing hand make those solid and rectilinear movements.  And if your subject is a feather fan, then make your hand make the movement a feather makes.  That’s easier said than done of course, but that is what I kept in mind as I drew her feather fan in these two drawings.

 

Afsana Rose 3

Afsana Rose – 5 minute pose

 

Tattoos

Afsana had a many tattoos, most of which I was not able to capture in the short time I had. One tattoo I had noticed and was glad I was able to capture was a spider web in her underarm.  All I could think about was how much it had to hurt to get it done!

 

 

Afsana Rose 4

Afsana Rose – 10 minute pose

 

Frilly

Afsana changed costumes a few times. She wore a frilly sheer polka dotted light covering over a 50s style white push up bra in the pose above. Once again, trying to capture the action of that frilly outer garment was the key to the drawing.

 

Afsana Rose 1

Afsana Rose – 20 minute pose

 

Boa

In her final pose she was in what seemed like a pretty classic burlesque outfit. The preeminent feature was the very big feather boa.  But it wasn’t feathery in the same way as the fan. The feathers were blocky and squared off at the end, so I made that sort of movement with my hand as I drew it.  She also had long gloves on that weren’t too different in color from the boa so I had to make sure their texture and lines were sufficiently different enough to stand out.

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Award

At the end of the session the artists can submit drawings to be judged by the models. Each model, and the comedian, decide which drawing they like best and that artist gets a small prize. In my case I received a little sketchbook, something you all know I will use!  I also got free admittance to the next Dr. Sketchy, so that’s cool as well.

It was a cool and different figure drawing experience.  I made a number of new friends and had a great time drawing.

I might work on some of the drawings a little bit more. I am tempted to finish some, add color to others. We shall see and I will let you know!

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