by Marty Coleman | Sep 30, 2013 | Simplicity - 2009-2014 |
A napkin is simplicity.

As is writing the word ‘simplicity’, which is what I did as I drew this.
Simplicity |simˈplisitē|
Noun
The quality or condition of being easy to understand or do : for the sake of simplicity, this chapter will concentrate on one theory.
• The quality or condition of being plain or natural : the grandeur and simplicity of Roman architecture.
• A thing that is plain, natural, or easy to understand : the simplicities of pastoral living.
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Drawing and comment by Marty Coleman, who is simpler than one might imagine.
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by Marty Coleman | Sep 27, 2013 | Audrey Hepburn, Women and Makeup - 2013 |
I will eat my words if today isn’t day #4 of my Makeup Series.

“Makeup can only make you look pretty on the outside but it doesn’t help if you are ugly on the inside, unless you eat your makeup.”
Outside
I am a firm believer that our outsides matter. They matter because we are sensual creatures. By sensual I mean we have senses. We see, hear, touch, smell and taste the world around us, the outside of the world. We get our information, in large part, from those senses. Even the sense that might seem internal, hearing, is just as much about the outside of how a person’s voice sounds, as the actual words they say. For example, if they are said with a grating voice, the internal message of the words can be lost.
Inside
Let’s define ‘inside’ before we go on, shall we? By ‘inside’ I do not mean your liver or ovaries or lungs or spleen or testicles. I don’t mean your heart either. Not your pumping heart at least. I do mean your mind and the heart that resides in the middle of that. That mind and heart inside you matter more than your outside. It’s not all that matters, it is however, what matters most. It matters because outer beauty doesn’t comfort the afflicted. Inner beauty does that. Outer beauty does not feed the hungry. Inner beauty does that. Outer beauty doesn’t take care of an elderly parent, a sick child, a wounded soldier, a devastated town. Inner beauty does that. Outer beauty doesn’t show sympathy, kindness, patience, or forgiveness. It doesn’t love.
Your Inside Edge is Outside
Then what’s the use of outer beauty? Why pay attention to it? Think of it as the outer edge of your inside. It’s not separate from your interior, it’s just the part of your interior that is at the edge, the edge that connects you to other people. You care about your inside world of thought and meaning, then care about how those things move out into the world as well. It’s through your outside edge that it happens.
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Drawing and commentary by Marty Coleman
Quote by Audrey Hepburn, 1929-1993, Dutch born American actress.

young Audrey Hepburn – 1930s

Edda van Heemstra aka Audrey Hepburn – Dance Student – WWII
During WWII, while living in The Netherlands, she changed her name to Edda van Heemstra to allay suspicion about her British roots (her father was British). The story goes that by the end of the war her and her family were reduced to eating tulip bulbs to survive.
She was known, and still is, as one of the most beautiful women in the history of film.

Audrey Hepburn – How To Steal A Million – 1966
And she knew how to use her makeup.

Audrey Hepburn Applying Lipstick Before Academy Awards Presentation – 1954
But she was much more average in outer beauty (as are most Hollywood celebs) than we often realize. She had circles under her eyes, and her other ‘imperfections’, as do we all.

Audrey Hepburn on Broadway in Gigi – 1951

But she was a total beauty because her outer beauty was the manifestation of her inner beauty, her mind and heart. That’s why she was just as beautiful in the photo below as she was in the photos above.

Audrey Hepburn, UNICEF ambassador in Ethiopia – 1988
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by Marty Coleman | Sep 25, 2013 | Jerry Seinfeld, Women and Makeup - 2013 |
I am coloring outside the lines in making today #3 of my Makeup series!

Lip Blind
When I was waiting tables in California back in the 80s and 90s I worked with a waitress who argued that lipstick should only go as far as the lip pigmentation, no farther. Unfortunately for her, her lip pigmentation discernibly changed before the edge of her lips. So she always had part of her lips with lipstick and the other part without. It was odd looking, to say the least. That was the one and only time I have ever seen that. More often, then and now, I have seen lipstick that goes well over the edge of the lips. If it’s just a bit over, to catch the light on the edge, that’s cool. But lipstick that is used to completely and drastically reshape the lips? That only works on TV, movies and beauty shoots where the photographer knows how to minimize the recognizability of that discrepancy. Otherwise people wonder why she didn’t wear her glasses when she put on her makeup, or why she thought it was a good idea to put her makeup on in the dark.
At least that’s my opinion. What’s yours?
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Drawing and commentary by Marty Coleman
Quote by Jerry Seinfeld, funny guy.
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by Marty Coleman | Sep 24, 2013 | Charles Revson, Women and Makeup - 2013 |
I am sold on the idea of making this day 2 of the Makeup series.

The Good
I once did an engagement photoshoot and part of the fun of it was going to the makeup counter before the official shoot with the woman and take photos of her getting her makeup done. I love taking photos of women putting on makeup so it was a real treat. She enjoyed the pampering process and looked like a million bucks afterwards. It didn’t transform her into someone else, it enhanced who she was into another realm for the day.
Here’s a photo from that shoot:

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The Bad
Yesterday I got a comment from an old friend on my FB page in response to my Makeup #1 drawing. It illustrates a different response to the makeup counter.
“When I was in my 20’s I went to Bloomingdales for a free makeover Sounds like fun, right? I enjoyed being pampered, but when all was said and done and they handed me the mirror, I freaked! Felt I looked like a clown and not myself. I literally ran home hoping I wouldn’t see a soul I knew.
She probably felt she looked like this:

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The Ugly
As much as I love makeup on women, there is one type I don’t like at all. That’s zombie makeup. Why? Because rotting flesh is gross, that’s why. I don’t like looking at it. I don’t watch any zombie movies or TV shows for that reason.
Who wants to look at this, anyway?
Nevermind, i don’t want to post it, it’s gross.
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The Hopeful
So, what is the makeup counter all about? The quote is right, it’s about hope. It’s a physical hope that one will be deemed attractive. Maybe by men, maybe by fans, maybe by yourself. It’s the emotional hope that you are worthy. Worthy of love, of affection, of lust, of passion, of attention. It’s the psychological hope that you look older, or younger, or wealthier, or sexier, or more intelligent, or more employable.
And finally, it’s a spiritual hope. Say what? Makeup has a spiritual component? Really? I say yes. It goes way back through history, the fables that prove time and time again that beauty equals goodness. Is it true in real life? I don’t think it is. But it sure is prevalent and subconsciously persistent in almost every culture , even among those who consciously don’t buy into the myth.
After all, you want to look like Cinderella,

Cinderella by Carlos via Flickr
and not her ugly step-sisters, right?


Why is that? Because they are ugly? No, because they are bad. And bad and ugly are intertwined. Be beautiful and you are not just beautiful, you are good as well. Isn’t that how the story goes?
Of course that’s a lie. But lie or not, it still remains a powerful force when looking in the mirror at the cosmetics counter.
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Drawing, photos (unless otherwise marked) and commentary by Marty Coleman
Quote by Charles Revson, 1906-1975, American businessman – founder of Revlon Cosmetics
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by Marty Coleman | Sep 23, 2013 | Women and Makeup - 2013 |
I am passionate about today being day #1 of my Makeup Series.

I Love Makeup
No, not on me, on women. It’s always been a passion of mine for as long as I can remember. It’s decorating, emoting, expressing, playing, lying, pretending, truth-telling, covering, protecting, opining and exposing and since that’s pretty much what art is all about for me, I consider it art. Add to it that it’s being done on the canvas of a living, breathing, thinking person and it’s pretty cool.
I Love Passion
I also love people who are passionate about something. Whether it’s saving the world, being fit, learning or putting on a great party or anything else, I appreciate and respect passion. So, which do I love more?
I love passion more. And guess what? I am pretty sure most people feel the same way.
Can’t Buy Me…
So, I guess the quote above is saying you can’t buy passion at the cosmetic counter, right? You can’t just paint it on, it has to be inside you. And I think that is true – to a point. I do however also feel that how you present yourself to yourself and the world can move you towards passion. It can’t create it in you, but it can set the stage to maybe let it come out easier. Just as being in a conducive environment can bring out your passion, so can being in the right clothes, or putting on the right makeup.
Does makeup help you be more passionate? How so?
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Drawing and commentary by Marty Coleman
Quote by Yves Saint-Laurent, 1936 – 2008, French fashion designer

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by Marty Coleman | Sep 20, 2013 | The Prostitute - 2013, William Blake |
I swear to God it’s day #4 of ‘The Prostitute’ series.

Good Spirit, Bad Flesh
The drawing illustrates the idea that once upon a time religion walled off sensuality and sexuality to such a degree that the wall turned into an entire building that houses the prostitute. The spirit and flesh – one is good and one is bad. Indulging the flesh for procreation is allowed, but indulging the flesh for pleasure is of the devil.
Good Spirit, Good Flesh
But not long before religion did that, it built a different type of building to house prostitutes. In the ancient Middle East, Greece and Rome there were temples where sacred prostitutes had sex with believers and it was seen as divine and good.
A few questions:
- How did it come to pass that religion built both types of buildings?
- How does religion still contribute to prostitution’s existence, or does it?
Let your Napkin Kin know your thoughts on it.
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Question to yesterday’s answer:
Name the 10 actresses (and the movie they were in) who have won an Oscar for portraying a prostitute.
Today’s Trivia
One of the worlds first poem, ‘Gilgamesh’ (Babylon , 2,000 BCE) contains the first written account of prostitution. Gilgamesh gets a temple prostitute to seduce his rival, weakening him enough so that Gilgamesh is able to beat him in trial of strength. There is no death though. After the fight Gilgamesh and his rival, Enkidu, become best friends.
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Drawing and commentary by Marty Coleman
Quote By William Blake, 1757 – 1827, English Poet and Artist
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Prisons are built with stones of law, and brothels with bricks of religion
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by Marty Coleman | Sep 19, 2013 | Jerry Falwell, The Prostitute - 2013 |
I am married to the idea that it’s day #3 of ‘The Prostitute’ series

The Dichotomy
Knowing who said this quote is essential to understanding it. It was spoken by Jerry Falwell, the Fundamentalist preacher. I think he probably meant it jokingly, as a way of simply saying men should only have sex with their wives. But it brings up so many dichotomies of American culture in its Freudian underpinnings and it is so funny in imagining the scenarios that it’s just impossible to pass up as an literary object of contemplation.
The Good Husband and the Bad Wife
Men, it seems pretty simple – don’t have sex with a sex worker unless she also happens to be your wife. In that case, it’s a good thing. Of course, the fact that she is identified as a sex worker means she not only has sex outside of her marriage but she gets paid for it. Basically the man is moral since he is only having sex with his wife, but the wife is immoral as are all the other men who she is having sex with since they obviously aren’t married to her.
The Good Wife and The Bad Husband
A question – What if the wife is the primary bread winner due to the high income she gets from her sex work? Isn’t the husband just as morally guilty as the wife since he is condoning the prostitution because he knows they need her income?
How would you (or could you) deal with your wife (or husband) being a sex worker?
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Drawing and commentary by Marty Coleman
Quote by Jerry Falwell, Religion Worker, 1933 -2007

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Trivia answer of the day
If this list is the answer, what is the question?
1. Janet Gaynor 1928 – Street Angel
2. Helen Hayes 1931 – The Sin of Madelon Claudet
3. Donna Reed 1953 – From Here to Eternity
4. Jo Van Fleet 1955 – East of Eden
5. Susan Hayward 1958 – I Want to Live!
6. Shirley Jones 1960 – Elmer Gantry
7. Elizabeth Taylor 1960 – Butterfield 8
8. Jane Fonda 1971 – Klute
9. Mira Sorvino 1995 – Mighty Aphrodite
10. Kim Basinger 1997 – L.A. Confidential
11. Charlize Theron 2003 – Monster
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by Marty Coleman | Sep 17, 2013 | Brendan Behan, The Prostitute - 2013 |
I calculate that it’s day #2 of ‘The Prostitute’ series.

The Cost of Free
How much have your relationships cost you? We could go into the monetary side of things and calculate how much it all costs that way. Maybe a billion dollars? It seems that way at times, I am sure. But the far greater cost is the emotional cost. If you are a woman, right about now you should be asking, What? Men have emotions? Why didn’t they show them to me?”
The Ignorant Pirate
Yes, indeed men do have emotions. But it’s a lot like a treasure buried on the desert island with a shipwrecked pirate sitting on the beach. He doesn’t even know he has a treasure below him until some big storm roars in and washes away the beach, leaving the chest full of gold pieces exposed. Only then does the pirate realize it’s even there and start to figure out what to do with it. So it is with men and their emotions. Once they do realize they are there, they have to figure out which emotion is which (not nearly as easy as you might think), they aren’t sure how to give them out, who to give them too, and what sort of condition they should have for the giving, if any conditions at all.

The Cost of Complication
All this is very confusing and conflicting and draining for many men. It demands communication and thinking about feelings and what to do about them. It’s complicated, it’s painful, it’s messy. And usually the man has to be pretty competent at it before he sees much intimacy in a relationship. Men who aren’t very good at it, who struggle with it, don’t like the bargain because it doesn’t seem fair or make sense to them. They don’t get it and because they don’t get it it seems like it is costing him a lot. And that explanation doesn’t even touch on the matter of him trying to understand the woman’s emotions, which is even harder than understanding his own at times.
The Cost of Simplicity
So, what does the prostitute bring? She brings simplicity. She won’t ask for emotions he doesn’t have or know how to express or doesn’t want to listen to, and all he has to do is pay her money. In return she will satisfy at least part of his need. It might not be his long term need that is being fulfilled, but he might not really even know he HAS a long term need. What she does is fill a short term need. It’s uncomplicated. He does this simple thing, she in return does this other simple thing. Done.
Peter Pan, or The Cost of Growing Up
So, what’s wrong with this idea? It sounds like I am excusing men going to prostitutes. But I am not excusing it, I am explaining it (at least in part). The truth is, what I think is really at the heart of it all is men not facing growing up. It costs a lot to be mature and responsible and delve into emotions and feelings and hurts and hearts. Men going to prostitutes are wanting the escape to Never Never Land. They want the fun and joy and simplicity of their youth, only in the sexual arena of adult play instead of in the arena of child’s play.

Original Book Cover – 1915
The Benefits of Growing Up
Take a look at my napkin drawing. The right side, the side of the heart, is complicated. It’s got wind and clouds and sun and volcanos and textures and deep colors. The left side is simple, cartoonish. Men, do you really want to live in that simplistic world? Isn’t the world of depth actually more compelling, more invigorating, more arousing? Isn’t it actually where your senses and mind will most be stimulated, most challenged? Isn’t it where you will be most challenged as a true adult? Isn’t it where you will most likely be fulfilled? After all, it’s hard to be fulfilled living in a cartoon.
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Drawing and commentary by Marty Coleman
Quote by Brendan Behan, 1923 – 1964, Irish poet

Brendan Behan
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Prostitution Fact of the Day:
There is no evidence that Mary Magdalen of the New Testament was a prostitute. The unidentified woman who washes Jesus feet is not stated to be Mary anywhere in the Gospels. Evidence strongly points to her having been a leader of the disciples both before and after Jesus life. It was not until much later, when the Patriarchy of the Church established its male dominance as preeminent that Mary started being branded as a harlot.

Hugues Merle – Mary Magdalene in the Cave (1868)
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by Marty Coleman | Sep 16, 2013 | The Prostitute - 2013 |
Here’s a topic I haven’t investigated before. This week I am exploring the idea of prostitution.

Poverty vs Sin
This quote makes sense to me. I can imagine it isn’t easy to decide to become a prostitute. Perhaps some might like it, but I doubt very many. I think the majority are likely to do it because, in their mind, it’s the only real option to avoiding poverty. Of course, with some it might be poverty brought on by drugs or other destructive ways to lose money, but I bet for some it’s just really the only viable option in their minds. I am not saying it is the only viable option, but that it seems that way to them.
I also don’t necessarily think the woman has to think of what she does as ‘sin’. She might think it’s perfectly fine to be in that profession, doesn’t feel morally guilty or wrong. But no matter what she thinks of the profession she is very unlikely to advertise that it is what she does or used to do.
The Retiree
You know what I wonder about? Where do retired prostitutes retire to? What job/career/life do they have afterwards? The first thing that comes to mind is the street walker and how she will likely get a low paying job in the service industry, maybe will go on welfare, maybe will marry an abusive husband, have kids, be addicted to drugs. All of those ideas are cliches. I actually have no idea what a street walker does after she no longer walks the street, do you? After all, do you think she puts it on her resume? Does she openly leave a trail back to that part of her life for others to find? I doubt it. So, how would we know? We wouldn’t.
What about a call girl? Someone higher in the strata of selling her body for money. Maybe she is a college girl earning money for school and after she is done with school she will get a job in her major, forget her life as a call girl and go on to be a middle class woman in America. No one would imagine that is her past based on who she is now, after all how would they know? She won’t be putting it on her resume either. so we don’t really know, right?
Condemnation
Why wouldn’t she tell the world what she used to do? Well, that’s obvious. The reaction would be swiftly condemning from almost all directions. Even if she did get a sympathetic and understanding ear from someone, that same someone is not likely to want to be close friends, associating him or herself with the retiree for all to see. The condemnation and negative consequences would be too severe if it came out. The threat of wider exposure of her ‘sin’ could also lead to possible blackmail, not a fun threat to have hanging over one’s head. The exposure of her former career could lead to men wanting to take advantage of her as a sexual object. It’s pretty clear to see she has a vested interest in keeping it secret.
Acceptance
But if we aren’t to judge but to love, then that includes people who have had professions we don’t like, approve of or understand, right? I doubt I will find out from a friend (or stranger) because of this post that they had been a prostitute in the past. But if I did find out, I would hope I would treat her exactly the same as I had before; with love, kindness, interest and concern about who she was, who she is, who she wants to be and how I can help her.
How would you react?
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Drawing and commentary by Marty Coleman
Quote by Sydney Biddle Barrows, 1952 – not dead yet, former escort service owner, currently marketing consultant.
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by Marty Coleman | Sep 13, 2013 | Illustrated Short Stories, Marty Coleman, Travel Napkins |

‘At First’ – A Short, Short Story
Was she the one being counseled or was she the counselor? I couldn’t tell at first.
Were the children hers, or the other woman’s, or maybe they belonged to the man, or all three. I couldn’t tell at first.
At first I thought she would sit still long enough for me to draw her.
At first she didn’t notice me.
Marty Coleman – 9/13/13
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