Sketchbook History Tour, 1997
We started in 1972 (6 months ago) and now are at the 25 year mark in my sketchbook history tour.
We started in 1972 (6 months ago) and now are at the 25 year mark in my sketchbook history tour.

Wife and Husband with A Block Between Them
I don’t really have an explanation for these drawings from 1995. I was just goofing off and came up with this series of women dancing in their bathing suits. I like them, they make me laugh. Which one is your most favorite and least favorite? Why?
Drawings © 2016 Marty Coleman | napkindad.com
1994 was a big year. It was the year I gave up on a path and started to forge a new one. In May of 1994 we moved from San Jose, California where I was teaching part-time at 3 Community Colleges AND working as a manager at Eulipia Restaurant to Broken Arrow, a suburb of Tulsa, Oklahoma.
In the next weeks I will show some of the images from my time in Tulsa as an artist/animator in my new job. You will see an interesting change but at the same time you will see that I never really change all that much.
Drawings © 2016 Marty Coleman | napkindad.com
I got some markers in 1993. It allowed me a lot more color freedom and I went to town with them.
You can see from the background landscape that they haven’t changed much over the decades. I always return to distant hills, ocean and receding paths.
The horizontal calmness of that landscape is what I love. It juxtaposes nicely to the usually more emotionally or psychologically intense portraits in the foreground.
I lived in California most of my life, on the beach and amid rolling hills that would be green or golden depending on the season. I always come back to them.
In 1991 my two oldest daughters were taking ballet lessons. I would sometimes be the one to take them and wait. When I did I would sometimes draw those around me. On this day in 1991 I happened to capture two very interesting mothers while they watched and contemplated.
The 1990 sketchbook isn’t as good as the one from 1989 for some reason, not sure why. But there are some interesting images.
I had started to make a habit of drawing over some earlier odd or incomplete sketches with nudes from the drawing class I was teaching. I was doing it in part to teach them about finding value in your work. If you don’t like a piece, you can either destroy or improve it. Most people think they have to improve it by continuing in the same direction as they have been going. But another idea is to transform the first image by superimposing a completely different image on top and seeing what happens. That is what I did here.
Here are some others from that same sketchbook.
Drawings © 2016 Marty Coleman | napkindad.com
I like my 1989 sketchbook. There are a lot of these sorts of fine detailed portraits as well as my usual bizarre assortment of oddly populated cartoon images.
Welcome to 1988. We are still living in San Jose, California. All three of our kids are born and growing. I have started to draw a fantasy series in my sketchbook of various creatures in the act of worshipping other bizarre creatures.

Bet you didn’t know there was a God of People with their Thumbs on Wrong, did you? If you are an artist like me who sometimes forgets which ways thumbs go on hands, having Glurg around is very helpful. Makes me feel less guilty.
Drawing © 2016 Marty Coleman | Napkindad.com
Rebekah, our oldest daughter, was born with ‘double elevator palsy’ in one of her eyes. What that meant was that the muscles on the top of her eyeball weren’t strong enough to allow her to lift her eye up to the same degree as her ‘good’ eye.
She spent almost 9 years wearing a patch regularly on her good eye so that her ‘bad’ eye would remain strong. We would have her play video games with the patch on to help this along. As a result she is now not only a neuroscientist getting her Ph.D. but a wickedly good video game player!
This was drawn in the offices of Dr. Jompolsky in San Francisco, 1987.