by Marty Coleman | Jul 22, 2014 | Enjoying Life - 2014, George Santayana |
I hope you enjoy day #1 of Enjoying Life!
And hopefully as you grow, what gives you enjoyment is more and more about giving joy and love to others as well as getting it for yourself, right?
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Drawing and Commentary by Marty Coleman. This is the bathing suit version. There is a nude version as well, but it’s not uploaded anywhere as of yet.
Quote by George Santayana, 1863-1952, Spanish philosopher and writer
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There is no cure for birth and death save to enjoy the interval
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by Marty Coleman | Jul 18, 2014 | Cyril Connolly, Promises Promises - 2014-16 |
And as I promised, here is the last in the ‘Promises, Promises’ series!
Celebrity
What do many celebrities, whether local fame in a small town or international superstardom, have in common? They burn out and fall from the stars in a flaming display of self-destruction. Why is that? Often times it seems to be promising expectations they can’t live up to. It might be they actually aren’t as talented as everyone thought. It might be they have the talent but don’t put in the work to bring that talent to the level needed. Maybe their talent was only developed in one small area and once used up, there is no where to go.
Success
There are of course stories of wildly successful people who were pushed early on to become something. Think of Serena Williams in tennis, or Tiger Woods in golf. They both had parents who had a huge vision for them, and that vision came true. Both became superstars well beyond the expectations. And they both were touted as examples of how children with talent could be trained and molded successfully so they would be able to sustain themselves and prosper in their field
Failure
But no parent is perfect at child rearing. And now child is perfect either. So far it looks like Serena has navigated successfully through her fame and fortune. I hope that continues. But we all know that Tiger, while living up to athletic expectations, fell from orbit and self-destructed. He is to be admired for fighting back and not giving up. He still is golfing, still winning and still a force to be reckoned with. But the illusion of his exalted character and status in the world fell hard and has not recovered.
High Up
A big part of the force of the explosion and the media clamor over it was due to the height from which he fell. It wasn’t the height of a parent’s hopes for a young child. It wasn’t the height of a young phenom exploding onto the professional scene. It was the height of someone on the verge of being declared the best golfer in history. That is a long way to fall. It was sad to watch the wreck happen in real time. It was made even worse by knowing he brought it on himself.
Do you know someone, or perhaps even are that someone, who has lived that life? Not just in sports, but in any arena of endeavor. What are the lessons you have learned about this as a result?
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Drawing and commentary by Marty Coleman
Quote by Cyril Connelly, English author, 1903-1974
It is not an anomaly that Connelly is the author of this quote. He lived it. Here is a passage from the Wikipedia entry about him.
“Connolly followed this up (his novel ‘The Rock Pool’) with a book of non-fiction, Enemies of Promise (1938), the second half of which is autobiographical. In it he attempted to explain his failure to produce the literary masterpiece that he and others believed he should have been capable of writing.”
I used the title of his book as the title of this post, it was the obvious choice once I read that it was about his own promise issues.
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Those whom the gods would destroy, they first call promising
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by Marty Coleman | Jul 17, 2014 | Anonymous, Promises Promises - 2014-16 |
I promise to deliver #4 in the Promises, Promises series!
Pleasure and Pain
Having chosen my quote for the day I visualized two faces, one while making the baby (making love) and another during childbirth. I was thinking that the face of someone having sex would be happy looking and the childbirth face would be intense and full of pain. But when I went to face research (yes, I did research) I came across a site that had portraits of people right at the moment of orgasm. And guess what? They looked almost exactly like the face of someone giving childbirth. Intense, scrunched up, teeth gritted and looking like they were about to explode, which of course, metaphorically at least, they are in both cases.
Pleasure and pain aren’t that far apart. Whether it’s people eating hot chiles that make the roof of their mouth burn off, or people enjoying going into a polar bear plunge in February, people combine the two. It can be combined in sex, eating, vacationing, relationships, drinking, sports, etc. You name it and you will likely find a co-mingling of pain and pleasure.
Keeping Promises
Promises are the same way. It’s easy to promise something when you are turned on, when you are feeling or pursuing pleasure. That’s why we constantly are telling young women and men to not trust what a person promises when he or she is wanting sex, right? The painful part of a promise is in the delivery, not in the proclamation. If there has been any struggle for myself and most fathers and mothers I know, it’s that. How to deliver on your promise. Your promise to your wife, husband or partner, to your kids, your work, your extended family. As I have gotten older I realize I am much happier and more successful when I simply let my delivery be my promise and forego the grand proclamation, how about you?
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Drawing and Commentary by Marty Coleman
Quote is Anonymous
Promises are like babies, easy to make, hard to deliver
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by Marty Coleman | Jul 16, 2014 | Jennifer Donnelly, Promises Promises - 2014-16 |
I promise that this is #3 of my Promises, Promises series.
Do or Die
During my first marriage, I broke promises. Somewhere along the line the combination of me breaking those promises and my wife’s own issues and realizations, led her to file for divorce. She made one statement that has stuck with me all these years. It was the statement that clarified for me how bad she saw her situation. She said, “I feel if I stay, I will die.”
There really wasn’t much arguing to do with a statement like that. She had reached a point, whether I understood it or not, where the promise she made to marry and stay married was going to break her. She needed to save herself and the only way in her mind at that point was to divorce me. I didn’t fight it.
Compassion For Breaking
I am not a fan of divorce. But I understand how it can come to pass when what seemed to be just a small ring around your finger becomes a ball and chain around your neck. I wish rational arguments could sometimes win the day, but I know that the human heart and human needs are such that rationality isn’t what drives us into a marriage and it isn’t what causes us to dissolve a marriage.
All this just to suggest we have some mercy and compassion for those who feel the need to divorce, to break the marital vow before it breaks them. Really, truly listening deep to what is going on inside their heart and mind is the best way to assure you understand.
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Drawing and commentary by Marty Coleman
Quote by Jennifer Donnelly, 1963 – not dead yet, American writer
Jennifer Donnelly
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It’s a bad thing to break a promise, but it’s also bad to let a promise to break you
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by Marty Coleman | Jul 14, 2014 | Alexander Archipenko, Art, Artists I Love |
The Hidden Gems
There is a museum here in Tulsa, a gem relatively unknown outside of Oklahoma and the art world. Philbrook Museum of Art was originally an Italian inspired mansion built in 1927 by Waite Phillips of Phillips 66 lineage. He and his wife gave the estate to Tulsa in 1938 as an art center and it’s been Tulsa’s center of art appreciation and education ever since.
Philbrook Museum of Art and Gardens
Alexander Archipenko is also a gem relatively unknown outside the art world. If you know Cubist and Modernist art history, specifically sculpture, you may have heard of him. Otherwise it’s not likely.
Alexander Archipenko, 1887-1964
Giddy Rediscovery
Even though I am an artist and studied art history, I know of Archipenko for a more personal reason. My grandparents had a great collection of art in their house growing up. Most were mid-twentieth century American drawings and prints. But they had one art piece that was different than all the rest. It was a small figurative sculpture by Alexander Archipenko.
I had largely forgotten about this sculpture when In 2012 I was leading a group of photographers on a photo shoot called ‘Black and White at Philbrook’. I turned into one of the 72 rooms of the mansion/museum and found this in front of me.
Standing Concave, Bronze – Philbrook Museum of Art
I knew immediately it was the sculpture. I knew it wasn’t THE sculpture because the one my grandparents had was silver plated bronze and this was just bronze. But it was the same sculpture made from the same mold. Most bronze sculptures are made in multiples.
I actually got giddy about this unexpected find. I remember telling some of the people with me about it being the same one I had been around as a kid. I wasn’t at all sure they believed me, but I was excited nonetheless. It brought me back to my youth, to my grandparent’s house and to my unadulterated love of art.
Here is another view of the piece I took in color so I could send it to my family to double check my memory. My older sister at first wasn’t sure it was the right one but eventually came to the conclusion it was.
Standing Concave – Philbrook Museum of Art
Standing Concave / Glorification of Beauty, 1914
Touching and Being Touched By
This is the piece. It looks silver but it is actually a bronze sculpture that has been silver plated. All the grandkids loved to touch it’s cool surfaces and trace the lines (maybe the boys a bit more than the girls). I may have been a giggly little boy thinking it was fun to touch a naked sculpture at some point but what I ended with was a love of the form, style and surface. I am sure Mama Powell wasn’t happy about all the fingerprints but I don’t remember it being a big deal. This piece, and the others in their home, really were the visual starting point for me wanting to be an artist from an early age.
I found out in my research that it actually has two names. It’s listed most often as ‘Glorification of Beauty’ but I remember the word concave always being associated with it and it is also named ‘Standing Concave’ The Philbrook piece is named that way for example. Funny how that goes, I know in my own work I might look at an image years later, not remember the title and retitle it something completely different so it would make sense that it could have two names.
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Alexander Archipenko (1887-1964)
Archipenko was originally from Kiev in Russia (now part of Ukraine). He moved to Paris in 1908, becoming a creative contemporary of Picasso, Malevich, Duchamp, Derain and others. He moved quickly into a cubist style, but with a sleek sensibility to his work that presaged the Art Moderne design style of later decades.
He was one of the legendary artists exhibiting in the 1913 Armory show in New York City, one of the most controversial art exhibitions in history. His work was mocked (as were many other modern artist’s work) by the New York and American press. In spite of the negative reaction, it wasn’t long before he and many other European artists immigrated to America and established themselves and their styles as the preeminent forces directing the future of art around the world.
Torso, 1914
Gondolier, 1914
Blue Dancer, 1913
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As I mentioned, Archipenko was involved with some of the premier artists of his day. These sculptures, with a more theatrical and painterly emphasis than the bronzes sculptures , show in the use of color, form and material and with references to the circus, harlequins, and the female figure, the influence of Picasso and Duchamp in particular.
Carrousel Pierrot, 1913
In the Boudoir (Before the Mirror), 1915
Medrano II, 1913
Composition, 1920 – work on paper
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As he matured as an artist, he retained his interest in those same two directions.
Floating Torso, 1940
Queen of Sheba, 1961
Architectural Figure, 1950
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In his later years he won outdoor commissions that allowed him to create in a much larger scale than he had before.
Gateway Sculptures, University of Missouri, Kansas City, 1950
King Solomon, 1968 (cast based on small model completed before his death), University of Pennsylvania, Philadelphia campus
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There were many other sculptors working during the first half of the 20th century that both influenced and were influenced by Archipenko. Here are two of them.
Jacques Lipchitz, Girl with Braided Hair, 1914
Henry Moore with his sculpture
Remember, seeing art is one of the best ways of insuring you will see the world in it’s fullest light. It’s always worth exploring art.
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If you would like to know more about Archipenko a great place to start is at the Archipenko Foundation, headed by his widow, Frances Archipenko Gray.
You can see others in my ‘Artists I Love’ series here:
Fall/Winter 2016
Winter/Spring 2015
Summer 2014
Winter 2012/2013
Winter 2011/2012
You can also find them via the ‘Artists’ drop down menu on the right.
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