I saw a quote from Einstein the other day. Now, I don’t necessarily believe he actually said it, since a gazillion quotes are said to be from him that aren’t, but it doesn’t really matter. The quote is this: “Possessions, outward success, publicity, luxury…to me these have always been contemptible. I believe that a simple and unassuming manner of life is best for everyone, best for both the body and the mind.”
I disagree with it for a few reasons. One is nothing is ever ‘best for everyone’.
Form
Two, beauty (or form if you will) matters. It’s not immaterial or without merit to have something be pleasing or interesting to the senses. A great illustration of this is seen in this interaction from the movie, ‘The Devil Wears Prada’ where a young woman is given a lesson in how her purely functional, non-luxurious sweater actually has its roots in choices made at the top end of fashion luxury. Take a look.
Form and Function
The quote I chose allows for both form (beauty) and function (usefulness) to have it’s place in our lives. If we focus on those two things, both equally valid, we can actually live a good life.
Quote by William Morris, 1834 – 1896, English writer, designer and artist. A founding participant in the ‘Arts and Crafts’ movement.
I am republishing this from 14 years ago today. The quote is still true. I feel like I have progressed some since then. Not completely but I feel I am a more trustworthy person than I was in 2009. Why do I think that? Because I have tried to practiced it. That is the only way anyone gets better at anything. If you don’t practice it repeatedly, you’ll never become it.
Original text – I am basically preaching to myself this week. This isn’t because I am not a trusting person, I am. More than most probably. I assume the best of intentions, I assume people will do what they say they are going to do. It doesn’t always happen, but I would rather get burned once in a while and be a trusting person than always be safe but have to trust no one.
Why I do need to hear this stuff about trust is because I am always needing to work on being a more trustworthy person. I think I am better than some, not as good as others. But I am not as trustworthy as I would always like to be. It’s a process of doing the right thing, the good thing, the promised thing, again and again and again. It takes patience and discipline, knowing boundaries and constantly remembering what I have promised.
I suppose most of us struggle with it, at least I hope I am not alone with it, am I?
I recently finished a sketchbook. It’s a weird thing to finish a sketchbook. I always feel like a relationship is ending. The feel, paper, size, look are all unique. How it takes ink, how I hold it, how it fits as I go somewhere is different with each sketchbook. Some allow me to draw inconspicuously while others are too big to hide. Some say ‘hippie natural’ while others say ‘serious conformist artist’.
But most importantly, what I draw in it is different based on all those things. Some lend themselves to drawing live while others tend to move me to draw purely imaginative images. It isn’t exclusive, I draw live and imaginatively in every sketchbook but there is an inclination depending on the book.
Here are some from a sketchbook that lent itself to a lot of imaginative drawing. I chose recent paintings that include polka dots or other type of recurring pattern on the clothing. I often do this so as to give definition to a form or to define a something as in front of or behind something else. They also include a lot of people holding microphones. That is because I often start the drawing in church, lightly memorizing the person on stage during the singing, then drawing a version of that person once the sermon starts.
Enjoy and let me know what you think. Do you have a favorite?
This summer I went to visit my daughter Rebekah and her family in Virginia. I was particularly excited to spend time with my 10 year old granddaughter, Vivian. The first day we went museum hopping in Washington, DC. We spent time seeing selections from the National Portrait Gallery, the National Gallery of Art and The National Archives. Vivian was a trooper, walking over 9 1/2 miles that day with nary a peep. Bribing her with Boba Tea at the end helped.
The first four shown here are from an exhibition at the National Portrait Gallery called ‘BRAVO!” which highlighted people in the entertainment industry over the decades. I was particularly taken by these paintings of women and their stories of overcoming strong obstacles to achieve their goals. The fifth, ‘Amarilla’, was elsewhere in the museum but I really liked it so I included it.
50 years ago I graduated from High School. Do you know what that means? No, not that I am old, which I am not (I know this to be true because everyone tells me I look so young I could be celebrating my 49th, not my 50th…)
It means I recently attended my 50th High School Reunion (Darien High School in Darien, Connecticut.) I moved there at the beginning of Jr. High and moved away after High School, living in the town for only 6 of my 68 years. But what a 6 year span it was. My identity was forged in those years and I left with the vision and intention to become a practicing artist, which I did. So did many others in my class. We had a strong art department in our school and many of us went on to have vocations and avocations in the arts. Many others didn’t go into art immediately but had their talent and practice come out later in life. Either way, there was and is a lot of creative activity.
The result of that was the planning committee including an art exhibition and opening as part of the weekend. There are a lot of fantastic pieces so if you are near Darien, Connecticut go check the show out at the Darien Public Library. It’s up until mid-September, 2023. I sent in a suite of 9 napkin drawings as my contribution. Here they are. They are for sale at $200.00 a piece, framed. They are approximately 6″ x 6″ so they fit perfect in small areas. Contact me at marty@martycoleman.com if you are interested.
Click on any image to see a slide show of them all.
