Hope and Despair – I Draw in Church
The mouth said she had faith and the eyes said she had doubt.
Drawing © 2018 Marty Coleman | napkindad.com
The mouth said she had faith and the eyes said she had doubt.
Drawing © 2018 Marty Coleman | napkindad.com
Jewel the Observer
I recently saw a live video stream of the musician Jewel performing. She was talking about when she was down and out, homeless and broke, not sure where she was going to go and what she was going to do. She said she realized at one point that she wasn’t just thinking something, she was observing herself thinking it. And that made a huge difference in her life Because she realized, if you are the observer of your thoughts then you can change those thoughts. You can evaluate if those thoughts are good for you and those around you. You can take steps to change those thoughts to be more positive, more helpful, more loving. You are not an unconscious being just existing, you are able to change who you are because you are able to see yourself and take action. So do it already.
Drawing and commentary © 2018 Marty Coleman | napkindad.com
The Good Friend
The woman was so anxious to finally tell the other woman about what was going on in her life because the other woman was a good friend. They were able to go have coffee one fall morning and have time to talk. The woman spilled her guts to the other woman, telling her all about her husband’s terrible behavior, including verbal abuse and cheating on her with some other woman. The other woman listened intently to everything she said and nodded in what the woman thought was signs of sympathy. But the woman was wrong about the other woman being sympathetic because she was the other woman.
The End
Drawing and short story © 2018 Marty Coleman | napkindad.com
Tired Jack
Jack was always tired. He never slept, burning the candle at both ends. That was a problem because it caused wax to drip everywhere and that made the partners in the law firm where he worked very angry. He got fired and spent his October either watching the baseball playoffs or sitting on the stoop outside his walkup wondering what to do. He was depressed and got lit often. It was a very scary time for him.
But eventually he died, became compost, was spread across a garden and helped grow a new batch of happy pumpkins the next year.
The End
Drawing and story © 2018 Marty Coleman | napkindad.com
One of the most frustrating things for many artists is when someone is so sucked in by technical virtuosity that they pay no attention to anything else. They don’t care if it’s a lame, derivative and unimaginative image of a B list celebrity, all they see is that ‘it looks so real, isn’t that amazing!’. It becomes the end all and be all of artistic value.
But for me, it is first off, a technical feat that isn’t as hard as people think it is. It looks impressive but having done photo-realism myself back in graduate school days, I know it can be done with repeated practice and not much else. It doesn’t, in and of itself, take a lot of imagination or creativity, it just takes technical practice. Don’t get me wrong, it can include those things, it’s just that often times it does not.
Secondly, admiring that over all else shows a simplistic understanding of art and what it can be and do in society. If the only art that is great or worthy is art that is a direct copy of a photograph or of a real scene, then it cuts off the value of the creative impulse in art that goes beyond realism, like expressionism, abstraction, impressionism, conceptual art, etc.
Thirdly, we already have the photo. What is the value of making something look like a photo when you already have the photo? It becomes just a way to prove virtuosity, which means it becomes a gimmick. Gimmicks in art fall flat after a while.
Fourth, it creates a group of artists who feel like the only valid work is realistic work, that they have to stay in that realm or they are discarded as being not very good. This is especially damaging to beginning artists in their teenage years where they are often pushed to make things look ‘realistic’. But art doesn’t need to be realistic to be valuable and good. But these teens, frustrated with their inability to make something look real, which might be being taught by their teacher and expected from their parents, give up on art never knowing they were perfectly ok just working in whatever vein they were working in.
My teaching philosophy is to teach creativity development and imagination building alongside technical expertise. If one does that then the artist will be able to create technical masterpieces but will have something unique and original within them that make them more than just dead copies of something else.
Drawing, photo and commentary © 2018 Marty Coleman | napkindad.com