Intentions are Nothing – Decision Making #6

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The Road to Hell

You’ve heard the saying, “The road to hell is paved with good intentions”, right?  What does it mean?  Since nobody wants to go to hell, it obviously means good intentions are misleading.  You think you are paving the way to heaven, or accomplishment, success, fame, wealth, happiness, security, love, etc. but instead you end up in hell? How can that be?

It’s not because good intentions are evil, it’s because good intentions are nothing.  They are ephemeral ghosts that flit about and then disappear. They can’t be built on and they can’t be walked on.  What they can do is fool people.  They tell people they are actually doing something when they aren’t.  They tell people they are making progress in life, when they aren’t.  They tell people they are becoming better people, when they aren’t.

Good intentions are nothing, and doing nothing in life is the fastest way to be in hell now and find hell in the future.

The Road to Elsewhere

So, if good intentions are nothing, what is something?  Action is something. Hard work is something. Practicing what you preach is something.

Making an idea into a reality isn’t good intentions, it’s good action. It might start with an idea and a determination to make that idea real, and that is good. People need vision and ideals. But they are the ink on the paper in the recipe book. They are nothing without the ingredients being put together to actually make the recipe into food.

 

 


Drawing and commentary © 2016 Marty Coleman | napkindad.com

Quote by Peter Drucker, 1909-2005, Austrian-born American Management consultant and author


 

Artists I Love – Neil Jenney

Neil Jenney From 1982-1994 I worked on getting my Master of Fine Art degree from San Jose State University in California.  I took a number of high level art theory and criticism seminars where studied intensely studied the recently past and current styles in the art world.  Foremost among those at the time was Neo-Expressionism.  There were many compelling artists working in this style that I liked, including David Salle, Robert Longo, and Eric Fischl.  In addition we studied other strains, including the Pattern and Decoration movement, which I liked quite a bit. One artist I discovered at the time stood out to me.  He stood out because he was was not part of these or other contemporary movements. He was completely unique; sophisticated, astute in his subtle social and political messaging and unabashedly contrarian in his relationship with current art. His name is Neil Jenney and he is the next artist in my ‘Artists I Love’ series.  Links to the other artists in the series can be found in the menu above and in a list at the end of this post.
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Window #6, oil on panel with painted wood frame, 1971-1976

What you see here is one of the signature paintings of his career.  It’s a detailed oil painting of a landscape, but not one where you can see much. It’s as much about what you can’t see as what you can.  It’s seems to be a window high up in a room, you are looking out, but what really is out there? You can’t see much, just the tree and the sky. But you can also see something that doesn’t seem to fit. A cloud that almost looks like a marshmallow. It’s way too perfectly formed to be a real cloud so what is it?  Good question.  Too bad you can’t see more, right?  Or wait, maybe not seeing more is what makes you think more intensely about what isn’t there. Maybe your imagination is engaged.  Maybe it’s great art because of that.  I think it is.
But let’s go back a bit to get a little better glimpse of the ideas behind his work. BAD PAINTING What you see below is a bad painting.  It’s bad on purpose to make a statement. Back in the late 60s a new genre came into being called ‘Photorealism’.  Artists took a photograph of a scene and painted it to an extreme level of accuracy. They actually enhanced the scene often to be even MORE realistic than the photo.  Neil Jenney hated this trend. He understood the technique took some skill but for what purpose?  To just recreate a photograph? He saw it as soulless and trite. He said to a friend that instead of having a bad idea and doing it well, “it would be better to have a good idea and do it terrible!”  Which is exactly what he did.  He called it good drawing, bad painting.
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Saw and Sawed, acrylic on canvas with painted wood frame, 1969


Here is an example of the art Jenney was seeing when he decided to go in the opposite direction.
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Robert Bechtle, Alameda Gran Torino, 1974, oil on canvas


He continued in this vein for a few years and was rewarded with his work being designated as ‘bad painting’, not as a derogatory critique, but as a positive statement about a new sort of realism.
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Birds and Jets, Acrylic on canvas with painted wood frame, 1969


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Threat and Sanctuary, acrylic on canvas with painted wood frame, 1969


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Girl and Doll, Man and Mirage

What do all these have in common besides the ‘bad painting’ technique?  They are all about a relationship between two things.  The purposeful lack of details in both the paintings and the titles were Jenney’s ingenious way of being a social and political artist without being pedantic or propogandistic. His message is a starting point of an idea, a hint towards a concept that the viewers have to figure out for themselves.  It’s one of my favorite attributes of great art and he does it immaculately in these paintings.
GOOD PAINTING The good paintings were a result of two things. One, the limits of doing ‘good drawing, bad painting’, and two, the plethora of artists who had started to do similar work.  Jenney is a contrarian and really dislikes doing what the crowd does.  The combination of those two things caused him to decided to do ‘good drawing, good painting’.  He started doing very detailed and highly accurate realistic paintings.  But, as in the bad paintings, he does not spell things out. He just gives clues.  The good paintings are as much about what is not seen beyond the frame as it is what is in the frame. It also is about the relationship between words and images, as are the ‘bad paintings’.  It’s another element that resonated with me, as you can tell by how prevalent words are in much of my work.
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Meltdown Morning, 1975, oil on board with painted wood frame

It’s not the best reproduction but in the distance on the right you can see the hint of yellow. That could be a sunrise but it could be a nuclear accident.   There is power in the ambiguity and simplicity, as well as in the contrast between nature and man.
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North America Acidified, oil on panel with painted wood frame, 2013

A beautiful scene of nature, but the ominous title says something else might be going on.
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Atmospheric Formation – Rabbits, oil on panel with painted wood frame, 2005

Sometimes it’s just light hearted play Jenney indulges in.
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Morning, Evening, oil on panel with painted wood frame, 2012

I love these images because they just say so much about perception and how minimal it can be and one can still know exactly where you are and what time of day it is.
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Ozarkia,  oil on panel with painted wood frame, 2012


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North American Aquatica, Oil on Panel with painted wood frame, 2006-07


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Modern Era, Oil on panel with painted wood frame, 2006

I think this is a very sophisticated critique of modern art. Not pedantic or overly weighed down with opinion, but in it’s simplicity one can see the disdain.
Improved Picassos Here’s an idea for a sure fire way to be criticized: Decide you can improve upon the paintings of the perhaps the greatest artist of the 20th century.  Jenney decided to do just that.  He happened to see someone in the Port Authority terminal in NYC selling painted reproductions of Picasso paintings. He bought one from him and decided to improve it, fixing what he saw as incomplete or bad passages in the art.  Then he framed them how he would like to see them, instead of the way he saw them framed in the famous museums of the world. It’s a cheeky and pretentious effort to do something like this, but Jenney didn’t care about what others would think. He wanted to ‘fix’ them so he did. Other people didn’t like it? Too bad for them.  I have to admit I really love that ‘in your face’ attitude he has. It’s liberating for artists to see this and realize decisions about our creativity are ours to make, not someone else’s. He eventually commissioned the artist who did the original copies, Ki-Young Sung, to paint specific Picasso pieces he had always wanted to rework.
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Improved Picasso – Boy and Horse, original on left


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Improved Picasso – Marie Therese Leaning, original on right


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Improved Picasso – Igor Stravinsky


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Improved Picasso – Bathers


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Improved Picasso – Woman


Conclusion Neil Jenney is my favorite type of artist, maybe because I feel a kinship with his outsider status. Outsider doesn’t mean uneducated, unsophisticated, or untalented. It simply means the artist does not fit in, either on purpose or by virtue of place, time and style, with the prevailing trends of art at the time.  He or she can still be quite popular among collectors and other art people, but it’s a popularity based more on genuine admiration for the work than on any commercial or social advantage one might get by having a piece by the artist.
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Photo courtesy of artist


Links and Resources Improved Picassos – The Creators Project, 2016 An Artist Reluctant to Sell Himself – NY Times, 2013 The Painting of the Future – LanguageandPhilosophy.com West Broadway Gallery and Jenney Archives Lofty Ambitions – Neil Jenney Frames Himself – blouinartinfo.com

Article © 2016 Marty Coleman | napkindad.com

Avoiding Pain, Discomfort and Death – Decision Making #5

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Not Judging

We had a discussion on Periscope the other day about decision making. It was about this idea and the idea in the blog post before this one, about not judging life events as good or bad, just experience them with minimal judgment. It would lead to less stress and anxiety and more happiness and peace.

People of Faith

Not easy to do of course, but that doesn’t mean it can’t be done.  But how?  Many people would say by having faith. But I have been in the Christian church now going on 40 years and I have seen very few people who don’t fret just as much about the future as those who don’t attend church and say they don’t believe in God, afterlife, etc.  That doesn’t mean people of faith don’t talk a good game, they do. The script is all there in the bible that you just don’t have to worry. Paul says it again and again in his letters. Peter says it, Jesus says it.  It’s a big part of Christianity.  But barely anyone (that I know at least) actually lives it out in day to day practice.

The Avoidance List

Why is that?  What is it about the unknown future that we really fear?  Death? Pain? Discomfort? Does fearing those things help us avoid them? Well, we know we can’t avoid death so that obviously is a problem. But we can avoid it for a while, right?

Here is a list to help you avoid death:

  • Eat well
  • Exercise well
  • Have really good genetics
  • Don’t step on a land mine

Same goes for pain. Here is a list to avoid pain:

  • Do nothing aggressively physical
  • Don’t get in any relationships
  • Don’t have kids
  • Don’t get blown up on a boat (I didn’t avoid that)

And if you want to avoid discomfort? Here is what you should do.

  • Never meet people, cultures or ideas you don’t understand or like.
  • Never get a brazilian wax job
  • Never eat hot chili peppers
  • Never wear tight pants, tight bras or tight hats.

All those ways can be summed up in one rule. Don’t do anything.  That will help you avoid all those terrible things in life.

Ok, I Lied

The truth is a life of couch sitting, of never thinking or experiencing anything new is living death. Seeing all the fun, vitality and love others are experiencing in life is a greater pain emotionally and physically than going out and experiencing the world and the risks in it.  And by far the deepest discomfort in life is realizing you are afraid of everything.

So, get out there, open that gate, swim that ocean, climb that hill.  You will experience discomfort, pain and yes, even death eventually.  But the alternative? You are already dead.


Drawing and commentary © 2016 Marty Coleman | napkindad.com

Quote by Edwin Markham, 1852-1940, American Poet


 

Not Seeing Good or Bad – Decision Making #4

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Good and Bad

This might sound like a terrible thing.  You are going to have trouble no matter what you choose? That sucks. But that isn’t really the end of the story, is it?  Beyond each danger maybe there is a blessing, right?  Then again, beyond each blessing who knows, maybe another blessing, maybe another danger.

Looking Back

Many people, when they reach a certain point in life look back and say, ‘Everything that has happened in the past, good and bad, has led me to this point.’  Isn’t that another way of saying that those seemingly bad things that happened really weren’t that bad and the good things that happened weren’t necessarily all that good?

Here and Now

Looking back is one thing, it’s easy to do. But what if you avoided this yin yang of categorizing everything into gain or loss as the events happened? What if you experienced them in your mind as as neutral events instead? How would that help your health, both physical and mental, while living in the present AND looking at the future?  Less stress, less judgment, less worry, less anxiety might be the result.  More peace, more happiness, more confidence might also be the result.  It’s something to think about.

The Chinese Farmer

There is a famous old story about a chinese farmer who did just that.  Here is a great animation that tells the story. It is being told by Alan Watts, a deep thinker who delved into Taoist philosophy.

Brain Pickings

One of my favorite websites is ‘Brain Pickings‘.  You can read more about Alan Watts and his ideas on fortune and misfortune there. There you can also find links to more in depth sites dealing the Watts, his philosophy and books.


Drawing and commentary © 2016 Marty Coleman | napkindad.com

Quote is a Dutch proverb


 

Neema International & the Tuleeni Orphanage

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Purchase the original | Purchase a print (all profits go to Neema International) | matte and frame available


 

A year ago I was asked to create an image about a charity I would like to have people donate to. It was going to be produced on T-shirts, etc. and sold, with the proceeds going to the charity. For a number of reasons it never came to pass. BUT I did do the drawing. The drawing and prints are available for sale. All profits will go to Neema International.

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The charity I chose is one I have supported for a couple of years now, Neema International. The money goes to support the Tuleeni orphanage in Tanzania as well as outreach to the entire community of children in the surrounding villages. Neema International is headed by Mandy Stein, an amazing young woman originally from Texas who now lives and works full time at the orphanage. She plans, builds, teaches, negotiates, and works her butt off to make a better life for the kids. Whether it’s new buildings, uniforms for school, supplies, transportation, food, community support, education or technology she has her fingers in the mix trying to make it all happen.  Mama Faraji, shown below with Mandy, is the founder and leader of the Tuleeni Orphanage.

 

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Mandy Stein and Mama Faraji

First Drawing and Post

You can read my first drawing and post that I did about a year and a half ago on Mandy and her work with Neema here.  It was a post about happiness and purpose, something Mandy exemplifies to an awe-inspiring degree.  Among other things it shows a photo of the building below well before it was completed.

NOW

Here is the new orphanage and education building. It took years of effort from Mandy and many others but it’s now complete!

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Of course, the outside is just part of the effort. The inside had to be completed too. Here are some photos of what was involved in that!

 

 

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Transporting mattresses for the orphanage


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New bunks at the orphanage


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Finally, a great place to eat dinner!


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YAY, a reliable bus to take the kids to school and elsewhere!


This is just a fraction of what is going on at Tuleeni.  Other efforts include:

  • Sending many of the orphans, especially girls, to private schools so they can get a quality education.  Girls are seriously underrepresented in the education system there and they are working hard to overcome that.
  • A Technology Education center for the entire village.
  • An Education Sponsorship program.

Love is the Purpose

I often write and illustrate at this blog that you become what you practice.  I practice art and I practice teaching/coaching and I have become pretty good at it. You are good at something too. But becoming good at something still leaves the question. WHY?  Why are you becoming good at this skill? What is the ultimate purpose behind it?

For me, the reason is to bring joy, happiness, hope, encouragement, insight, and most of all love to others.  This is the greater thing to practice because some day I might lose my ability to create or run.  But I will never lose my ability to love, right?

This is what Mandy is doing. Yes, she is building, teaching, organizing, etc. But what she is really doing is practicing love.  Help her do that, ok?

How to Help

If you would like to support Mandy, Neema International and the Tuleeni Orphanage, you can make a contribution here.  http://neemainternational.org/donate/?amount  The donations go to a registered non-profit so you can have it be a charitable donation.  Once you are at the site take some time to read about Neema and how it got started. It will warm your heart.

If you would like to contribute more directly you can do so at Paypal.  Simply send the money to mandy@neemainternational.org. This will not be tax-deductible but the money is immediately available to Neema so they can buy school and home supplies quickly and as needed.  Here are some pics that show what those sorts of donations have already bought. Plus, you are helping the local Tanzanian economy, something desperately needed.

If you’re interested in becoming an education sponsor contact: info@neemainternational.org for details

Stay Connected

Here an article about Mandy and the amazing work Neema is doing.

http://thebuzzmagazines.com/articles/2016/06/making-difference-‘neema’-tanzania

You can keep up with Neema International’s efforts at their home on FB – https://www.facebook.com/NeemaINTL/

You can do the same for the Tuleeni Orphans Home on FB – https://www.facebook.com/tuleeniorphanshome

 


Drawing and quote © 2016 Marty Coleman | napkindad.com