by Marty Coleman | Oct 16, 2015 | Beauty - 2009, 2015, Cornelius Lindsey |

Purchase the Original Drawing | Purchase a Print | Purchase the Print Series
Compliments
I am a big fan of compliments, both giving and receiving. I give them better than I take them, but I like getting them as well. When I give them I try to be specific. I won’t say someone is pretty, I will say I like their hair style, or their necklace, etc. Often it’s something I might notice that others don’t. An accessory, or a feature perhaps. I like pointing out something specific because I am hoping the compliment I give makes them feel good about choices they made, not just that they were born looking a certain way. And I feel good when a compliment I give makes someone feel great.
Enjoying and feeling good about a compliment is one thing. Feeling your self-worth is attached completely to the compliments is another. The last thing I want is for someone to depend on my compliments for their complete value or worth. First off, I don’t want that pressure, and secondly, it certainly isn’t healthy for the person getting the compliments.
Criticisms
I don’t like giving criticisms, especially if it’s about style or looks. I deliberately step back when I see someone who is jarring to my established notions and let the visuals sit with me for a while. I practice withholding judgment, in other words. This is true in anything sensory; smells, sights, hearing, etc. I like to live with it for a while. And I always try and remember I can view someone without judging them. I think of these sensory experiences as being part of the passing parade of life; something to be enjoyed, admired, explored. Not something I have to judge.
If I do criticize, I would be saying it hoping they gave it some value. But I certainly hope the person receiving it doesn’t automatically take it as gospel truth about themselves. Once again, that would be too much pressure on me and would certainly be unhealthy on the part of the person hearing the criticism.
Balance
I assume that, for the most part, compliments make people feel good and criticisms make them feel bad. That is normal and to be expected. But to get all your worth in life and to feel completely worthless in life due to them indicates an a skewed understanding of your own value.
How do you overcome that? It’s not easy but it is doable. You have to start with small steps. I have a friend, Victoria James, in England, who does a daily live video called #Mindflowers (you can find her as @victoriajamesUK on Periscope). The idea started with her feeling like she, and her friends, all gave compliments to each other a lot more than they give compliments to themselves. They would be much more likely to denigrate and dismiss themselves than say something nice. So she started a daily routine that she now shares around the world. She simply asks the people watching her video to give themselves a compliment every day.
That is how you can start.
Periscope
Here is my periscope video of the drawing being created.
And here is part 2 where I color the drawing and we talk more about this idea.
Drawing and commentary © 2015 Marty Coleman | napkindad.com
Quote by Cornelius Lindsey, 1986 – not dead yet, American Preacher
Like this:
Like Loading...
by Marty Coleman | Oct 15, 2015 | Illustrated Short Stories, The Flying Coffee Cup |

The Flying Coffee Cup – An Illustrated Short Story
Chapter One
Amanda had her resume laid out just right. She had her business card just so. She had her lucky necklace on and, embarrassing as it was, her lucky underwear too. She had her coffee ordered and picked up. She was ready for the interview.
He walked in with long strides, letting the door close on the woman coming in behind him. He went straight to the counter, stopping just short of running into the back of the man waiting to order. He took a deep breath and rolled his eyes.
When it was his turn he said to the Barista, “Well, aren’t you cute. Aren’t you going to give me a smile?”
She looked at him and said, “This is my smile today, sorry. What can I get for you.”
“I want a very large cup of your strongest coffee, black.” he answered. When it was delivered by the Barista he said, “Thanks but it would have been nicer for me if you smiled.” He was not smiling as he said it.
Chapter Two
He came over the Amanda’s table and sat down. She put out her hand and said, “Hello Mr. Bendetto, I’m Amanda. It’s nice to meet you.”
He didn’t take her outstretched hand. He just nodded and said, “Let’s get started.”
He asked her a series of questions, all were short and curt. When he was done with the interview, which took all of 10 minutes he stood up and said, “I will let you know.”
She stood up and said, “Thank you. I will wait for your email.” She held out her hand to shake his.
He responded, “Honey, I don’t think you should hold your breath. I expect the job is harder than you can handle.” He walked away without saying goodbye or shaking her hand.
Chapter Three
Amanda was just about to start crying when her coffee cup raised up from the table. It had grown wings and was hovering in front of her. The lid came off partially and talked. It said, “You are more than he thinks you are.”
She stared as the coffee floated back down to the table as the wings disappeared, landing softly and not spilling any of itself. She looked up to see if any other person had witnessed it. It appeared no one had seen the coffee fly except the barista who had served the man his coffee. She was staring at Amanda with her eyes wide and her mouth open.
Amanda got up and walked over to the Barista. “Did you see that?” she asked.
“Yes, I did. And I heard what it said as well. How did that happen and why didn’t anyone else see it?”
Amanda said, “I have no idea. It was very strange. But it said the perfect thing to me, that’s all I know. What is your name?” She asked.
The Barista responded, “I’m Amanda. What’s yours?”
Amanda laughed, “That’s my name as well. Nice to meet you Amanda. I am sorry he was such a jerk to you, I heard him talking to you.”
“Yes, he was. Nice to meet you too Amanda. I overheard a bit of his conversation with you as well. He seemed rude to everyone.” Amanda the Barista said.
“Yep, he was a jerk to me. I was having a job interview with him but it didn’t take me long to realize, even though I am desperate for work, I wouldn’t work for him no matter what.” Said Amanda.
The Barista responded, “I am sorry you are in that situation, but I think you are right. I can’t imagine working for him! What sort of work are you looking for?”
“I’m a bookkeeper. I was helping to run my dad’s business but he sold it and retired recently so I am looking for something else. I just got a divorce so the pressure is on.”
“Oh, that sounds like pressure for sure. You know, you might want to talk to Sylvia, the owner here. Her son, John, has been doing the books but he is about to go to graduate school. I think she might be looking for someone.”
Chapter Four
A week later Amanda the bookkeeper had a new job. She had met with Sylvia the owner and they had gotten along great. The pay wasn’t quite as good as with her father’s business but it was not bad either. She knew she could make it with the salary and the hours.
On her first day she was going to meet with John, the current bookkeeper to start her training. But before he arrived she had to clean out an old desk to use as hers. It had office supplies and a disheveled pile of papers cluttering the drawers. She took them out and was figuring out what to do with them when one piece fell to the ground. She picked it up, turning it over to see if it had anything on the other side.
There, on the other side was a drawing of a coffee cup. A coffee cup with wings. She stared at it with her mouth open until she was interrupted by a male voice saying, “You better watch out, you might catch a fly with your mouth open that wide.” She looked up to see a young man, maybe 30 years old, handsome and with smiling eyes. He reached out his hand. “Hi Amanda, I am John. What’s so astounding?”
She blushed slightly, smiled and said, “Oh, hi. Nice to meet you. Sorry about that. I was looking at this.” She picked up the drawing of the flying coffee cup and showed it to him.
He said, “Oh, THAT’S where that drawing is. I have been wondering where it’s been for least a year or so. Was it in that pile of stuff?” pointing to the mess on the desk.
“Yes, it was. Did you draw it?” she asked.
“Yep, that’s by me. You can just call me Picasso, thank you very much!” he said as he laughed a big, hearty laugh.
“Ok, this is REALLY weird. I was looking at the drawing that way because I’ve seen it before.”
John looked puzzled. “How can that be?”
“I didn’t see this drawing. I saw the actual cup. It actually was my coffee cup last week. After the guy interviewing me left my cup grew wings and flew up to me and spoke. I know it sounds crazy but ask Amanda, she saw it too.”
John stared. It was his turn to have his mouth drop open. “Why is YOUR mouth catching flies now, if I may ask!” said Amanda with a laugh.
John fumbled a bit as he looked down at the drawing that was now in his hands. “You wouldn’t believe it.”
“Try me John.” she said. “After all, I just told you I saw a flying coffee cup.”
Chapter Five
“Ok, but it’s really strange.” he said. “I drew that about 7 years ago when I was 23. I think I even have a date on it, I drew it in April, right? I was just starting to help my mom here at the coffee shop and I had just left a long term relationship. I was stuck in the back of this office and I was feeling lonely and depressed. I drew this coffee cup that was sitting in front of me out of boredom one day. I left it on the desk and went out front to get some fresh air and something to eat. While I was out there I saw the most beautiful, sweet woman sitting at a table with a friend. I actually couldn’t see her very well, I was behind her. But I could see the side of her face and her smile and her beautiful brown hair. It was about the same length and style as yours I think only brown, not blonde. Anyway, she was showing off this incredibly unique diamond engagement ring to her friend. I had never seen anything like it. It was shiny and bright and she was beaming with joy.”
“I came back to the office and sat there wishing I had someone like her. I wished I had her actually. I sort of zoned out and started to draw wings and a mouth on the cup in the drawing as I imagined it flying out the talk to her. I wanted the cup to tell her she was making a mistake, that I was the right one for her. Of course I didn’t have any idea about who she was or what she was about. I didn’t really know if I was the right one for her. I was just wanting to be the right one for someone and I attached my dream to her at the moment.” He looked at Amanda with a look that said please don’t laugh at me.
“I often wonder what happened to her. I really do hope all went really well for her. It’s probably a blessing I didn’t see her face very clearly because if I had gotten a good look I probably would still be looking for her face in everyone I see.” He put the drawing down. “I told you it was a bizarre story.”
Amanda was crying. Big tears were rolling down her cheeks. “John? That woman was me. I was engaged 7 years ago in April and came here with my best friend to show her the ring. I had the same style hair, but then it was brown.”
John sat down. Amanda and John stared at each other for a long time without saying a word.
Epilogue
Amanda went home that afternoon, got the ring that afternoon and brought it back. It was the ring John remembered, very unique and shiny.
A year later John and Amanda were married. Amanda the Barista was a bridesmaid in a small ceremony at a beach about 100 miles away. John and the two Amandas opened a second coffee shop at the beach a year after that called ‘The Flying Cup’. They now have 24 shops at beaches around the world and are known for their story and their flying coffee cup logo.
They eventually sold their story to Universal pictures and it was made into a movie that did pretty well.
The End
Drawing and short story © 2022 Marty Coleman | napkindad.com
Like this:
Like Loading...
by Marty Coleman | Oct 13, 2015 | Beauty - 2009, 2015, Cornelius Lindsey |
I recently did an ‘Absorbent Idea’ periscope on Beauty and Makeup. It was based on a series I did back in 2013. The conversation was so interesting I thought I would do a new series on Beauty. Let me know what you think!

Comparing
So, one of the big things about outer beauty is the curse of comparison. How do you know who is and who is not beautiful if you aren’t comparing them, right? But comparing is wrong, isn’t it? Doesn’t that lead to feeling bad about yourself or judging others?
I actually say no, it doesn’t IF rightly understood. The word compare is neutral. It doesn’t have to assume judgment and condemnation, it can simply assume evaluation. ‘Her eyebrows arch high’. ‘Her highbrows don’t arch’. That is comparing and contrasting, not judging.
But you might say that is all fine and dandy but we know that judgment will naturally follow with a statement like, ‘I like arched eyebrows and I don’t like straight eyebrows.’ Isn’t that right? No, it isn’t right. There is no intrinsic reason you have to state a judgment or a preference after noticing a difference between two things. You can just notice and absorb while exploring and admiring both.
Competing
When the trouble starts is when the thought of competition comes in. That there is going to be a loser and a winner in beauty. That the purpose behind comparing is to compete. That there has to be a judgment that that ‘beauty’ is more beautiful than me. But think about a flower. Does a flower say it needs to look like a different type of flower to be beautiful? No, it doesn’t. It might compete for nutrients in the ground with another flower, but that is not about beauty, that is about survival. It isn’t trying to be judgmental or critical of the other flower. It is not saying that flower isn’t beautiful. It is simply doing what it needs to do to survive and thrive. It does it’s best to get everything it needs to be it’s best.
Your Beauty
If you do the same then you will always have your beauty. Your beauty will be genuinely yours. Not someone else’s, yours. Your style, your shine, your colors. And you won’t have to compete with anyone else for it.
Drawing and commentary © 2015 Marty Coleman | napkindad.com
Quote by Cornelius Lindsey, 1986 – not dead yet, American Preacher
Like this:
Like Loading...
by Marty Coleman | Oct 6, 2015 | Sketchbook History Tour, Travel Napkins |
Three times in the last week I have gone to a coffee shop and drawn. The first and second time led to pretty good drawings I thought. But the third time I struggled to get a good drawing.
I thought I would show you the drawings and explain some of the reasons why it went the way it did. Of course, there isn’t a reason for everything in art and creativity so I am not trying to explain it as if it’s a science experiment (where there is a reason for everything). But I think it can be helpful to show failures as well as successes.
The Stranger at Starbucks
I had to take my car in to have something looked at so took some of the waiting time and went to get coffee and breakfast. I was hoping to find someone interesting to draw and Periscope live as I did so. I went to Starbucks and as I walked in I noticed a woman sitting in the corner with her back to the window. She was at a small 2 person table and was talking to someone facing her. She had a nice brochure in front of her and seemed to be explaining something about a company or a sales opportunity.
First Attempt

The woman had a beautiful long face, eyes that were slightly turned up and a wide, expressive mouth. But in trying to capture those elements I exaggerated them. I then reduced her neck and shoulders in size as I tried to complete the drawing. The result was more of a caricature than a portrait. It’s not terrible, but it wasn’t what I wanted. I wanted to capture what I saw as a beautiful set of expressive lines and I don’t think I did that.
Second Attempt

This time I thought I would do the drawing in my sketchbook. I started the same way I started the first drawing, with a simple line. I was focused first on seeing and drawing the line that went from her forehead all the way down to her chin. Getting that to flow right was key to the rest of her face. I then went back up to her eye and worked on it’s shape and the line of her nose. By that time I already knew my initial line was off. My solution was to force myself out of that obsession with accuracy by changing my technique to a more gestural one. In other words I decided to draw fast and furious, going over a line multiple times as I went. It allowed me to correct the lines I didn’t like and move more spontaneously in the rest of the drawing.
However, even with a gesture drawing, if you start out with a fundamentally flawed construction, it can be hard to bring it back. And that is what I had done. By the time my initial work on her face was done I knew I had her eyes too high on her face and that their shape made them look vacant and amateurish. But I continued on thinking perhaps working with shading would fix the problem. It didn’t. I was able to do pretty well with her body this time around but it wasn’t going to matter if how I drew her face made her look like an alien, which it did. I worked it a bit longer before I decided there was only one more thing to try, and that was to lower and reshape the eyes. Unfortunately, I had already so overworked her eyes trying to save them that lowering them made them look even worse. I gave up at that point.
Third Attempt

I decided to try one more time on a napkin. I was determined to be spare and simple with my line and learn from what I just done. This time I started with her forehead line, then her eye, wanting to redeem myself after having drawn them so bad the first two times. I felt good about the first one, the one farthest from me and continued with her nose and jawline. At that point I felt I had a better start than the first two.
While her mouth is proportionally larger than average, in the first drawing I had made it too big. This time I waited until I saw her talk enough times to see how her lips looked and drew the four lines as fast as I could. Then I focused on getting the other eye right. After that I felt I had the bones of the drawing right and could move on to her body and hair with a loose and simple confidence.
This one is the best of the three, I have no doubt. The academic issues of proportion and shape are dealt with effectively and the expression allows for interpretation and imagination.
Success From Failure
So, I think I finished with a success. A minor success so far, but a success nonetheless. But I wouldn’t have achieved that success without the ability to walk away from a failure. Stopping something and saying it’s a failure is not failing in the ultimate sense. It’s simply admitting something is beyond repair, learning from it, and moving on to better things.
Drawing © 2015 Marty Coleman | napkindad.com
Like this:
Like Loading...