by Marty Coleman | Jul 24, 2013 | Resistance - 2013, Susan Steinbrecher |
Do not resist the fact that it’s day #1 of a new series on Resistance.
Stealing From Susan
Last year I won a writing contest put on by Susan Steinbrecher. I won a weekend at the Gaylord Texan outside of Dallas and we went over the 4th of July weekend, 2012. It was a great time and I was able to meet Susan during the weekend, which was a great honor. She recently launched a new website dedicated to promoting her abilities as a speaker and I went to check it out. There were video samples of her speaking and this quote was the very first thing that she spoke about. I stole it from her because I liked it so much.
What Not To Resist
Susan was referring to the futility of resisting change in the business world. In particular she was talking about the technology, communication, globalization and more 21st century elements to modern business. She said people can try to resist, but that resistance won’t change anything. The future is going to come, whether you resist it or not. The future persists. Indeed, it is the most persistent element of life. Some things are bad to resist.
What To Resist
However, there are areas of life where it is good to resist. When you see racism or sexism or bigotry or corruption, it’s good to resist. When you feel yourself sliding into mediocrity, it’s good to resist. When you are tempted to blame, gossip or hate, it’s good to resist. These things also persist. But unlike the future they can actually fade, becoming lest persistent. And your resistance to them is one of the actions needed to help them fade away. Some things are good to resist.
What Do you Resist?
What is it you try to resist? Are you effective or not? Explain.
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Drawing and commentary by Marty Coleman
Quote by Susan Steinbrecher, American business leadership consultant and speaker.
Susan Steinbrecher
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by Marty Coleman | Jul 23, 2013 | Alphabet of Word Origins - 2013 |
Today a friend in Australia posted this as part of a comment on Facebook, ‘Spat the Dummy’. I had no idea what that meant but I found out from my friend that is literally means for a baby to spit out their pacifier, which is called a ‘dummy’ in Australia. It’s used as a term to mean you are angry and frustrated, done with something. It got me thinking about words and so I thought I would do an alphabet of word origins.
The Purest Album
Why is The Beatles White Album the purest album ever? It’s because of what ‘Album’ originally meant. Here’s a hint, It could be titled ‘The Album Album’.
Here is the explanation from the Dictionary of Word Origins, by Jordan Almond, one of my favorite books. And yes really, that’s the author’s name.
‘A table with a white top on which were kept the names of Roman officials and accounts of public proceedings which was prominently displayed in a public place. The word comes from the Latin albus, meaning “white.” The British adopted the term during the Middle Ages and used it to signify a register or list of persons. From this, “Album” acquired it’s present meaning.’
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Drawing by Marty Coleman
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by Marty Coleman | Jul 22, 2013 | Norway |
Inger Lise Skauge is a Norwegian woman who has collected napkins for 64 years. She has 110,000 napkins and is writing a book on their history and alternative uses.
She contacted me last year saying she would like to include my work in her book. She also asked if I would be willing to draw her on a napkin. I feel like anyone who has collected over a hundred thousand of them deserves their own napkin so I did so.
Here is a photo and article about her. I hope you can read Norwegian.
The book finally came out in December of 2013.
Here is the link to my story about receiving it!
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by Marty Coleman | Jul 21, 2013 | Photographic Sunday |
Dallas Museum of Art
Over the 4th of July long weekend Linda and I went to visit our daughter, Caitlin, in Dallas, Texas. We had a lot of things planned for the week, including some time I reserved for myself to go museum hopping. I was planning to drive over to Fort Worth and see the Amon Carter Museum of American Art which I had never seen before, but time constraints directed my choice to the Dallas Museum of Art which I also had never seen before and was much closer to Caitlin’s apartment.
The fact that the museum was free all summer helped in that decision, as did the special exhibition, ‘The Body Beautiful in Ancient Greece’. There had recently been an exhibition at my hometown Tulsa’s Philbrook Museum of Art on the same general topic which I loved, so I thought I would continue my education in that area by taking in this exhibition as well.
Two Structures – Museum Muse #1
The Museum as Muse
I have been doing a series for many years now called Museum Compositions. I also photograph people quite often and frequently refer to the person I am photographing as my muse. I realized while putting together the images this morning for this post that one of my most compelling muses of all is the museum. Not a specific museum, but all museums. No wonder of course since they aren’t called museums by accident. They house the muses. And to me the house it self is a muse. I am compelled to explore, discover, reach for, secretly find, the perfect composition within the walls of the museum.
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‘Two Dark Muses’ – Museum Muses #2
Finding the formal and the casual creates a perfect moment for me.
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‘Muse and Design’ – Museum Muses #3
The people within the museum are also my muse. It is the relationship of the living to the historic, the flesh to the stone, the real to the ideal, the moving to the static, that excites me.
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‘Phallus and Look’ – Museum Muses #4
And sometimes the relationship between human and object is found within the art itself.
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‘Muse and Vortex’ – Museum Muses #5
You know how a wildlife photographer will tell you he or she has to wait for a long time to get the perfect shot of that animal looking just the right way? It’s the same for me in a museum. I am looking for the location, the juxtaposition of elements in space, of content in relationship to each other. But I am also waiting for the moment the living muse passes by. The moment when they are in perfect relationship to the space and art. I love that moment. I am a hunter of that.
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‘Muse, Man and Boy’ – Museum Muses #6
Compositionally I look for the highest level of formality. I am driven to find the perfect division. In half often, sometimes in thirds. I am looking for a rigorous balance of visual weight.
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‘Muses in Red and Green’ – Museum Muses #7
The mystery of the Museum Muse is that they inspire but they are not known.
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‘Muse at Work’ – Museum Muses #8
Splitting images exactly in half, either vertically, horizontally or both, allows me to fragment and unify the image at the same time. I love the simplicity of the compositional device, and the discipline it takes to find the the composition keeps me pure in focus.
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‘Beautifully Filled Space’ – Museum Muses #9
This quote embodies the root idea behind my compositional efforts.
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‘Dream and Image’ – Museum Muses #10
Contemplation that is embodied in the composition of the image and in the people in the images attracts me.
‘Muse and Waterfall’ – Museum Muses #11
The adrenaline of having to explain myself pumps at moments like these.
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‘Muse on Muse’ – Museum Muses #12
This moment of seeing the living and created muse so blended was sublime. I felt she was taking a photo of herself.
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‘Yellow Muse’ – Museum Muses #13
He split the scene in two and at the same time brought the two sides together. I love when that visual moment occurs.
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‘Ancient Greek And Muses’ – Museum Muse #14
One of my favorite things about museums is how you can see through from one space to another. I like finding the formal composition while seeing through to new spaces.
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‘Formal Muse’ – Museum Muses #15
Sometimes for me the image can be devoid of a human and still be filled with humanity. I found the formality of this visual composition so strong I didn’t think any living thing would enhance it.
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‘Wall Piece and Muse’ – Museum Muses #16
I like when images defy gravity and sense, much like life.
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‘Sleeping Muse’ – Museum Muses #17
Storytelling with art, people and no words is a recurring phenomenon in a Museum.
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‘Male and Female Muses’ – Museum Muses #18
I loved finding the refined and the rough together. As well as the real life muses partially seen, as if in a De Chirico painting.
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Muse with Red Purse – Museum Muses #19
The anonymous woman, reserved but stylish, silhouetted against the grey, was as beautiful as the artwork. Finding them together made both more beautiful to me.
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Muses Coming and Going – Museum Muses #20
Everyone in a museum is a Muse. Everyone and everything is art.
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Here are more ‘Museum Compositions’ posts
Museum Compositions – June 2013
Museum as Muse – Dallas Museum of Art – July 2013
Bouquets in Dallas – Dallas Museum of Art – November 2014
Anonymous Eyes – Dallas Museum of Art – November 2014
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© 2021 Marty Coleman | napkindad.com
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by Marty Coleman | Jul 18, 2013 | Buddha, Making Mistakes - 2013 |
Truth: Making Mistakes #5 appears today.
The Comfort Mistake
It seems to me that the search for truth often times is a search to justify one’s comforts and prejudices. It ends at the most convenient location, in other words. That seems to me to be a mistake. If we want to be satisfied, truly satisfied, we have to pursue beyond both of those things.
Religious Truth
We have some good examples, not in the discovery of an absolute and final truth, but in the courage to continue the search. A number of religious leaders and congregations over the centuries showed great courage by walking the road of truth as far as they could. In many cases it turned out their truth wasn’t (and isn’t) accurate. It could even be seen as a mistake. But the best of them were sincere and committed to the journey.
Scientific Truth
Equally courageous were the scientists who dedicated their lives to walking that road of truth. Some were excommunicated, some were shunned, some were killed. But they knew the road they were on and were seeing it to the end. Just as in the religious journey, the scientific journey also had (and has) truths be discovered later to be inaccurate. It could even be seen as a mistake. But the best of them were also sincere and committed to the journey.
The Road of Truth
The truth is the road of truth demands effort. You can’t cruise down it in a BMW on cruise control. You can’t take a bus down it, or a train on the tracks next to it. You can’t fly over it. You have to walk it, explore it, commit to it. It’s a long journey that everyone has to take by themselves. You can stop and read, stop and sleep, stop and contemplate, but it would be a mistake to not get up again and start down the path. And the farther you go, the more you realize you need no facade, no fancy clothes, no money, no glass house. Just you naked in your search on the road of truth.
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Drawing and commentary by Marty Coleman
Quote by the Buddha
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