I am showing an artist today who I deeply admire. Roy Lichtenstein, one of the preeminent pop artists in America, has a very graphic and bold style, accessing popular and art culture for many of his ideas and references.
Woman in Bath – 1963
He got his start using comics as his inspiration but I didn’t really pay much attention to him early in my career. I knew of him but he was just one of many pop artists and I wasn’t paying all that much attention to any of them while in college and graduate school (70s & 80s).
Baked Potato -1962
Alka Seltzer – 1966
He didn’t just do comics, that just happened to be what he got famous for. What he did was use a very graphic, very bold comic book style no matter the subject. As he developed as an artist he expanded into using prior art styles as his references. That is when I started to notice and enjoy his work.
Coast Village – 1987
He played off the Expressionist and Fauvist styles here. He combined his strict linear style with a much more fluid brushstroke to make it happen. It is uniquely his work even with the references.
Woman with Hat
Portrait of a Woman – Pablo Picasso
The Red Horseman – 1974
Cyclist – Natalia Goncharova
He then played off of a Cubist and Futurist themes for a while. Yes, they obviously reference the imagery of other artists but you wouldn’t mistake it for one of theirs. It’s is pretty much instantly recognized as a Lichtenstein.
The Artist’s Studio – The Dance – 1974
And here we see him referencing another favorite artist of mine who I highlighted a few weeks ago. Anyone know who?
What I love about Lichtenstein is he never stopped exploring what he could do with what he could do. That sounds funny but it is true that we all have things we can do. But do we do all we can with our abilities and our sensibilities? I think Lichtenstein did and I have always been inspired by his willingness to stay true to his style and still push into new and compelling realms.
Ohhh…Alright…
And to finish it off, let’s end with a painting from his classic comic book era. Are you wondering why I chose this piece instead of a couple of his more famous ones from back them? Here’s why. It sold at auction in 2010 for 42.6 million dollars. Was it worth it? I say yes it was. Why do I say that? Because the person buying it is NOT buying a painting. They are buying AND possessing a seminal moment in the history of art. They buy it, everyone that matters to them knows they bought it and they now believe they have the same value in the world as that art moment had and continues to have. Is that true? Yes, but just like the stock market, the value of those art moments can rise and fall very fast and along with it goes their own value. Not all that great for the ego long term but just in case you wonder why people put out the big bucks, that’s why in my opinion.
I’ll put my foot down and say, It’s the last day of Naked vs Nude week at the NDD!
This drawing and commentary was originally created and written in 2009, but it fit perfectly with the theme so I am using it again.
It is human to decorate oneself, but humanity starts without decoration and that is often forgotten. The puritan impulse that still flows through America and elsewhere looks for something wrong with the unadorned and naked. We do it without being conscious of it, like a remnant racist not being aware of their own prejudice.
A huge industry has made many people a lot of money building on this. I am not talking about pornography, which at least has some semblance of honesty about it. At least you know what they are trying to evoke in a person. I am not defending porn, just stating that we know what it is and what it is trying to do.
I am talking about marketing and advertising. That is the industry that plays us like a fiddle. That is the industry that tells you to look for the skin and in the next breath tells you to cover it up.
What Michelangelo knew was that for all the finery Florence and Rome in the Renaissance could display to the world, it could not outshine the beauty he found in the human body. And considering the fact that his nude sculpture, ‘David’ is probably the single most popular object of any sort from that era, his statement has been proven true.
I was born to tell you – Today is day #4 of Naked vs Nude week at the NDD
I have a serious question, give your thoughts on it. Where and when did the emotion of shame come into the picture for humans and nudity? Why was it shame that Adam and Eve were said to have felt and not anger or fear or happiness or guilt or any of a million other feelings. Why was it shame?
__________________________
Drawing and question by Marty Coleman, who is only ashamed of his flabby pot belly. (why is that?)
It would be a bare-ass lie if I didn’t admit it’s day #2 of Naked vs Nude Week at the NDD.
If all the pretenses, lies, masks, decorations, and shiny things of your life were stripped away would you be found to have been swimming naked? Obviously this is a metaphor. It’s not about swimming naked, which is fine and dandy if that’s what you want to do and you don’t scare small children and pelicans. What it is about is whether or not you have substance when your money, your track record, your resume is stripped away.
Since the quote is by Warren Buffett perhaps a financial example is in order. Bernie Madoff had all the bling life could bring. He had the home, reputation, cars, status, resume, business success, wealth and more. But what he did not have was a good and true foundation in character underneath it all. That is the ‘naked’ this quote is really talking about. When it all goes south, what remains?
By the way, in regards to our series title, ‘Naked vs Nude’, imagine this quote using the word nude instead of naked. Wouldn’t quite work, would it.
______________________
Drawing and commentary by Marty Coleman who last skinny dipped in 1996.
Quote by Warren Buffett, who, rumor has it, once skinny dipped with Bill Gates after winning a Bridge Tournament.
The naked truth is that it’s ‘Naked Vs Nude’ week at the NDD.
When I was in graduate school I read a book called ‘About Looking’ by John Berger. In it he proposes that there is a difference in art between someone who is naked and someone who is nude. Since I have been doing my ‘Artist I Love Winter Weekend’ series I have presented a number of art pieces in the ‘nude’ genre. That got me thinking about this difference between naked and nude that Berger suggests exists. I decided it would be fun to explore the idea with you.
One of the ideas Berger puts forth is that, while nakedness reveals itself, nudity does not. He says, “The nude is condemned to never being naked. Nudity is a form of dress.” So, if nudity is a form of dress, wouldn’t it mean that both women in this drawing have some fashion sense? What do you think?
In particular, within your experience with nudity in art, film, life, do you think there a difference between being naked and being nude? Explain.
haha…By the way, if the clothed woman in this drawing has ‘fashion sense’ maybe being without clothes WOULD be better fashion!
Week #4 in my Winter Weekend series on artist’s I love – This week it’s Thomas Hart Benton, 1889-1975.
The Music Lesson
Benton started out in Missouri as the son of a US Senator. As a result he was well-educated, world-wise and somewhat wealthy. He spent time in New York and Paris learning his craft as an artist, trying on different styles. Eventually he moved back to Missouri and embraced what became known as Regionalism. His images depict farmers, families, workers and environments that show an everyday America.
Wreck of the Old 97
He often showed a tension between the new and old, in particular how that tension affected the growth of America into the west. You will see again and again a stylistic ‘bump’ in the middle of many of his paintings. This swell, as if the world was fluid like an ocean, is one of my favorite things about his work.
Persephone
As did many artists, Benton loved to reinterpret ancient myths. This image is a midwestern play on the myth of Persephone. Through a series of calamities she was condemned to Hades. A bargain was struck with the Gods by which she could spend half her time above ground, on the earth, and then return to Hades for the other half. Thus was born the reason behind our spring and summer seasons of bounty and growth and our autumn and winter seasons of death and desolation.
Benton Murals – Missouri State House
Benton painted many murals, including a number in the Missouri State House. One of the items on my bucket list is to visit Kansas City and surrounding areas to tour all the amazing murals he created.
Sources of Country Music
‘The Sources of Country Music’ was his final painting. It was still on his easel when he died in 1975.
The truth is it’s day #4 of ‘Quotes on Quotes’ week at the NDD!
Physicists understand very well that what seems to be is not always what is. The rest of us so often assume appearances and conventional knowledge are safe to follow. If we follow those we will pretty much have the truth, right? Well physics tells us that is not always the case in the scientific realm.
In our daily life that we can see and feel, touch and hear, the same is true. I have had two long relationships, my first marriage lasted 20 years, and I am now in year 8 of a relationship with my second wife. In both cases I have come to learn that their reality is often very different than mine. At times in both relationships we have all wanted to argue and believe that our reality is THE reality. The other person is not understanding, not obeying, not living by what are an obvious set of rules, methods, behaviors, thought processes that OF COURSE we all should go by. If they are broken then the other person’s motivations must be suspect.
I know I have been guilty of that, more when I was younger, but it still it comes up. I also know that both my wives have been guilty of it as well. And we have had to talk about it, sometimes painfully. Obviously my first marriage didn’t survive, but we actually were still able to understand each other better and not be so judgmental of each other towards the end of our marriage. My current marriage to Linda has had some of the same things, but because we are both older and wiser, we seem to be able to not be quite so rigid in our understandings and judgments.
It takes work but if you start from the assumption that you don’t hold the only profound truth about relationships and behaviors, then at least you have a way in to the conversations about how someone sees things differently than you. Not wrong, just different.
Drawing and commentary by Marty Coleman, who is the opposite of who you might expect.
And I quote, “It’s day #3 of Quotes on Quotes week at the NDD.”
The biggest, baddest, most humongous tome in the world may have drama, it may get a lot of attention, it may get it’s own mini-series, but that doesn’t mean it has substance that can actually help or nurture anyone.
Sometimes the small and anonymous does that better. So, don’t be under the delusion you need to be famous or powerful and an attention getting drama queen to contribute well to your world. Maybe all you need to do is be a flower.
Drawing and commentary by Marty Coleman, who some day would like to see a real live person painted just like the person in the drawing.
It’s day 1 of Quotes on Quotes week. Do you have any great quotes about quotes? Let me know about them!
Have you ever known something was completely, absolutely true but no one would believe you because you are just a schmuck friend or family member? Then a month or two goes by and that same person who didn’t believe you comes back and says, “Hey, did you know that XXX is true? I read it in the Times this weekend. Isn’t that amazing?” You, of course, want to kick them in the head and say, “I ALREADY TOLD YOU THAT AND YOU DIDN”T BELIEVE ME, YOU KNUCKLEHEAD!”
That is where being an authority comes in handy. I think the best way to be an authority is to give credit for everything you know to Ben or George or maybe Einstein or Edison, even if it’s your idea. A little less ego but more recognition isn’t all that bad a way to go.
